Monsters in ancient Greek cosmogony, ethnography and biology

This thesis explores the roles of monsters and monstrosity in ancient Greek literature. Rather than focusing on individual monstrous creatures or mythical figures, it analyses the representations of monsters in three genres: cosmogony, ethnography and biology. Chapter One focuses on three cosmogonic...

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Main Author: Mitchell, Fiona Sarah
Published: University of Bristol 2015
Subjects:
881
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681730
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spelling ndltd-bl.uk-oai-ethos.bl.uk-6817302017-03-16T16:23:30ZMonsters in ancient Greek cosmogony, ethnography and biologyMitchell, Fiona Sarah2015This thesis explores the roles of monsters and monstrosity in ancient Greek literature. Rather than focusing on individual monstrous creatures or mythical figures, it analyses the representations of monsters in three genres: cosmogony, ethnography and biology. Chapter One focuses on three cosmogonic texts: Hesiod's Theogony and two of the Orphic theogonies, the Hieronyman and Hellanicus Theogony and Rhapsodic Theogony. Through these texts I explore the use of monsters in the depictions of the primordial cosmos and the way in which they could be representative not only of a threatening primordial chaos, but also of the creative potential of the beginning of the universe. Chapter Two explores monsters in ethnography, their use in geographic representations of the world and, in particular, the representation of the periphery as a home of monsters and wonders. Thus, examining these creatures in Herodotus' Histories, Ctesias' Indika and Megasthenes' Indika allows an insight into the way that monsters were used in the characterisation of foreign peoples and places, and in the geographical structuring of the world. The exploration of biology in Chapter Three focuses primarily on Aristotle's biological texts. This section considers the way in which monstrous creatures were incorporated into investigations of contemporary Greece, and how monstrous creatures were used in creating a structure and hierarchy of the natural world. These genres all have very different perspectives on the world, and so depict monsters in different ways. However, they are all focused on examining the nature of the universe: cosmogony through its origins, ethnography through ,the different countries that make up the world, and biology through the nature of people and animals. Thus examining monsters in these texts provides an additional insight into the way the world was viewed and constructed in ancient Greek thought881University of Bristolhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681730Electronic Thesis or Dissertation
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sources NDLTD
topic 881
spellingShingle 881
Mitchell, Fiona Sarah
Monsters in ancient Greek cosmogony, ethnography and biology
description This thesis explores the roles of monsters and monstrosity in ancient Greek literature. Rather than focusing on individual monstrous creatures or mythical figures, it analyses the representations of monsters in three genres: cosmogony, ethnography and biology. Chapter One focuses on three cosmogonic texts: Hesiod's Theogony and two of the Orphic theogonies, the Hieronyman and Hellanicus Theogony and Rhapsodic Theogony. Through these texts I explore the use of monsters in the depictions of the primordial cosmos and the way in which they could be representative not only of a threatening primordial chaos, but also of the creative potential of the beginning of the universe. Chapter Two explores monsters in ethnography, their use in geographic representations of the world and, in particular, the representation of the periphery as a home of monsters and wonders. Thus, examining these creatures in Herodotus' Histories, Ctesias' Indika and Megasthenes' Indika allows an insight into the way that monsters were used in the characterisation of foreign peoples and places, and in the geographical structuring of the world. The exploration of biology in Chapter Three focuses primarily on Aristotle's biological texts. This section considers the way in which monstrous creatures were incorporated into investigations of contemporary Greece, and how monstrous creatures were used in creating a structure and hierarchy of the natural world. These genres all have very different perspectives on the world, and so depict monsters in different ways. However, they are all focused on examining the nature of the universe: cosmogony through its origins, ethnography through ,the different countries that make up the world, and biology through the nature of people and animals. Thus examining monsters in these texts provides an additional insight into the way the world was viewed and constructed in ancient Greek thought
author Mitchell, Fiona Sarah
author_facet Mitchell, Fiona Sarah
author_sort Mitchell, Fiona Sarah
title Monsters in ancient Greek cosmogony, ethnography and biology
title_short Monsters in ancient Greek cosmogony, ethnography and biology
title_full Monsters in ancient Greek cosmogony, ethnography and biology
title_fullStr Monsters in ancient Greek cosmogony, ethnography and biology
title_full_unstemmed Monsters in ancient Greek cosmogony, ethnography and biology
title_sort monsters in ancient greek cosmogony, ethnography and biology
publisher University of Bristol
publishDate 2015
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681730
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