Envisioning the modern stage : a performance-based study of Victor Hugo, Alfred de Musset and Maurice Maeterlinck
The central argument of this thesis is that Hugo, Musset and Maeterlinck each had a conception of theatre and performance that can now be considered 'modem'. The thesis is original because it reads these nineteenth-century playwrights' visions through performance. It contributes to kn...
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Queen's University Belfast
2014
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.679485 |