Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)

Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)

This thesis explores Afro-Peruvian identity vis-à-vis national republican identity through visual representations of black Peruvian subjects in the late colonial and post-independence period (1750s – 1890s). Its foundations lie in a detailed analysis of these representations, primarily in bringing t...

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Bibliographic Details
Main Author: Melling, Helen Micaela
Other Authors: Rebaza-Soraluz, Luis Alberto ; Treece, David Helier ; Sampson Vera Tudela, Elisa
Published: King's College London (University of London) 2015
Subjects:
958.06
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.677221
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spelling ndltd-bl.uk-oai-ethos.bl.uk-6772212017-07-25T03:29:48ZColourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)Melling, Helen MicaelaRebaza-Soraluz, Luis Alberto ; Treece, David Helier ; Sampson Vera Tudela, Elisa2015This thesis explores Afro-Peruvian identity vis-à-vis national republican identity through visual representations of black Peruvian subjects in the late colonial and post-independence period (1750s – 1890s). Its foundations lie in a detailed analysis of these representations, primarily in bringing to the surface the historical articulation of post-independence representations with their late colonial precedents as an interweaving of cultural discourses. Focal points are Léonce Angrand’s (1808 – 1886) images from his time as French Vice-consul in Lima during the 1830s, and the works of German artist Johann Moritz Rugendas (1802 – 1858) during his travels in 1840s Peru. An analysis of the ‘popular’ characters and types featured in the watercolours of Peruvian mulato Francisco ‘Pancho’ Fierro (1807 – 1879) lies at the heart of this examination of 19th century images. They are the most prolific and renowned examples of Peruvian costumbrismo and constitute the most significant body of images discussed in the thesis. Photographs from the Courret Hermanos Studio provide a final source of images. My analysis of these visual discourses is complemented by a study of contemporary literary and non-fiction texts that include representations or descriptions of black culture. My findings lead me to argue for the existence of a visual tradition in the depiction of black subjects in Peru, particularly during the formative years after independence. This tradition is almost entirely related to Lima, where the largest communities of slaves, free blacks and black colonial castas were located. These findings open up new interpretative possibilities and means of exploring the symbolic centrality of blackness in the formation of a creole subjectivity and national identity in 19th century Peru.958.06King's College London (University of London)http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.677221http://kclpure.kcl.ac.uk/portal/en/theses/colourful-customs-and-invisible-traditions(b11531a3-8dae-4351-9a92-8f896bdc48fe).htmlElectronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 958.06
spellingShingle 958.06
Melling, Helen Micaela
Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
description This thesis explores Afro-Peruvian identity vis-à-vis national republican identity through visual representations of black Peruvian subjects in the late colonial and post-independence period (1750s – 1890s). Its foundations lie in a detailed analysis of these representations, primarily in bringing to the surface the historical articulation of post-independence representations with their late colonial precedents as an interweaving of cultural discourses. Focal points are Léonce Angrand’s (1808 – 1886) images from his time as French Vice-consul in Lima during the 1830s, and the works of German artist Johann Moritz Rugendas (1802 – 1858) during his travels in 1840s Peru. An analysis of the ‘popular’ characters and types featured in the watercolours of Peruvian mulato Francisco ‘Pancho’ Fierro (1807 – 1879) lies at the heart of this examination of 19th century images. They are the most prolific and renowned examples of Peruvian costumbrismo and constitute the most significant body of images discussed in the thesis. Photographs from the Courret Hermanos Studio provide a final source of images. My analysis of these visual discourses is complemented by a study of contemporary literary and non-fiction texts that include representations or descriptions of black culture. My findings lead me to argue for the existence of a visual tradition in the depiction of black subjects in Peru, particularly during the formative years after independence. This tradition is almost entirely related to Lima, where the largest communities of slaves, free blacks and black colonial castas were located. These findings open up new interpretative possibilities and means of exploring the symbolic centrality of blackness in the formation of a creole subjectivity and national identity in 19th century Peru.
author2 Rebaza-Soraluz, Luis Alberto ; Treece, David Helier ; Sampson Vera Tudela, Elisa
author_facet Rebaza-Soraluz, Luis Alberto ; Treece, David Helier ; Sampson Vera Tudela, Elisa
Melling, Helen Micaela
author Melling, Helen Micaela
author_sort Melling, Helen Micaela
title Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
title_short Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
title_full Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
title_fullStr Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
title_full_unstemmed Colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence Peru (1750s – 1890s)
title_sort colourful customs and invisible traditions : visual representations of black subjects in late colonial and 19th century, post-independence peru (1750s – 1890s)
publisher King's College London (University of London)
publishDate 2015
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.677221
work_keys_str_mv AT mellinghelenmicaela colourfulcustomsandinvisibletraditionsvisualrepresentationsofblacksubjectsinlatecolonialand19thcenturypostindependenceperu1750s1890s
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