"Could these hours have lasted ..." : representations of live performance described, analysed and evaluated
For centuries, the contrast between ‘live’ performance and its representation in scripts and scores, along with visual depictions and verbal descriptions (particularly the journalistic review), has been relatively straightforward. As Ben Jonson writes in his preface to <i>The Masque of Blackne...
Main Author: | Reason, Matthew Alden |
---|---|
Published: |
University of Edinburgh
2003
|
Subjects: | |
Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.660979 |
Similar Items
-
British independent record labels, memory and mediation : situating music objects in physical and digital contexts
by: Roy, Elodie Amandine
Published: (2014) -
Lipsynching : popular song recordings and the disembodied voice
by: Snell, Merrie
Published: (2015) -
Towards the open outcome record : a portfolio of works exploring strategies of freeing the record from fixity
by: Jansch, Adam
Published: (2011) -
Creativity and collaboration in the recording studio : an empirical study
by: Thompson, Paul
Published: (2015) -
The performative and the politics of representation
by: Chama, Dounia
Published: (2008)