| Summary: | The dissertation centres on representations of disobedience in four defining Venetian novels published between 1753 and 1769: La filosofessa italiana; L’avventuriere, L’omicida irreprensibile and I zingani. The research sees disobedience as embodying cultural changes that occurred in Venetian society during the eighteenth century, in particular among the élite. Disobedience is understood as any behaviour demonstrated against figures of secular authority (as in the parent-child relationship). It is, however, instrumental to interpretation of the text at multiple levels. First, it functions as a narratological device that triggers the development of the plot; second, it informs the didactic aims of the novel, by giving examples of behaviour performed by figures of authority, or subordinates. Third, it embodies changes experienced by readers in their contemporary life, offering a way to mediate conflicts through fiction. The dissertation investigates this function in relation to the élite, a heterogeneous group of high-income individuals from different classes. This group is identified as a privileged addressee of the novel. The dissertation investigates the centrality of Venetian élites from two different angles. In the first part, the analysis focuses on publishing activities, cultural consumption, and the development of the Venetian book market. It shows how the emergence of the novel is closely related to the economic transformation of the market, and the role played by the urban élite, that had become a target audience for new cultural products such as the novel. The relationship between literary representation and Venetian élites is further demonstrated through the analysis of the four novels. Alongside the analysis of disobedience from a literary perspective, the thesis adopts the topos to highlight cultural and social issues involving Venetian élites, such as the clash between generations; the reshaping of education; and the shift in social attitudes which transfers value from status to to wealth. The research argues that, through the representation of disobedience, novels set limits of acceptable behaviours, mediating between individual needs and social requirements, and suggesting possible solutions to existing conflicts. The dissertation stands at the crossroads of history (in particular Venetian history), literary criticism, and history of the book. This interdisciplinary approach makes an original contribution to the literary debate on the eighteenth century Italian novel and offers an innovative perspective from which to look at the emergence and development of this genre in the eighteenth century.
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