Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development

The relevance of cultural history to the development of Karl Barth's theology has been greatly undervalued. Taking a short term view, Barth's development can be compared in detail with the modernist movements of the early twentieth century, and in particular with the history of German Expr...

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Main Author: Boyd, I. R.
Published: University of Edinburgh 1996
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Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.641837
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spelling ndltd-bl.uk-oai-ethos.bl.uk-6418372015-05-02T03:30:02ZDogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological developmentBoyd, I. R.1996The relevance of cultural history to the development of Karl Barth's theology has been greatly undervalued. Taking a short term view, Barth's development can be compared in detail with the modernist movements of the early twentieth century, and in particular with the history of German Expressionism; taking a longer view, Barth's theology can be seen as a response to the failure of the Enlightenment project. These two perspectives, moreover, yield complementary insights. Barth's earliest ventures into theological print coincided with the emergence of Expressionism; both were given direction by the First World War; both achieved success in the immediate post-War period, while simultaneously suffering significant disappointments; and in the early 1920s Expressionist writers and artists turned away from their previous forms in an effort to overcome their alienation from community, just as Barth turned away from dialectical method in favour of a discourse situated in and directed to the life of the Church. Barth's theology was effectively engaged in a dialogue with the central ideas embodied in modernist movements like Expressionism, and can be as a development towards the dialectical inversion of the core ideas of modernism. Taking a longer view, though, both modernist culture and Barth's theology can be illuminated by placing them against the history of the Enlightenment and its aftermath. This is a history which has been analysed usefully by Alasdair MacIntyre, particularly in <I>After Virtue</I> and subsequent publications. In the light of MacIntyre's work, Barth's inversion of modernism appears also to constitute an inversion of the ideas embodied in the social world which emerged from the failure of the Enlightenment project.270.092University of Edinburghhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.641837Electronic Thesis or Dissertation
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topic 270.092
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Boyd, I. R.
Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
description The relevance of cultural history to the development of Karl Barth's theology has been greatly undervalued. Taking a short term view, Barth's development can be compared in detail with the modernist movements of the early twentieth century, and in particular with the history of German Expressionism; taking a longer view, Barth's theology can be seen as a response to the failure of the Enlightenment project. These two perspectives, moreover, yield complementary insights. Barth's earliest ventures into theological print coincided with the emergence of Expressionism; both were given direction by the First World War; both achieved success in the immediate post-War period, while simultaneously suffering significant disappointments; and in the early 1920s Expressionist writers and artists turned away from their previous forms in an effort to overcome their alienation from community, just as Barth turned away from dialectical method in favour of a discourse situated in and directed to the life of the Church. Barth's theology was effectively engaged in a dialogue with the central ideas embodied in modernist movements like Expressionism, and can be as a development towards the dialectical inversion of the core ideas of modernism. Taking a longer view, though, both modernist culture and Barth's theology can be illuminated by placing them against the history of the Enlightenment and its aftermath. This is a history which has been analysed usefully by Alasdair MacIntyre, particularly in <I>After Virtue</I> and subsequent publications. In the light of MacIntyre's work, Barth's inversion of modernism appears also to constitute an inversion of the ideas embodied in the social world which emerged from the failure of the Enlightenment project.
author Boyd, I. R.
author_facet Boyd, I. R.
author_sort Boyd, I. R.
title Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
title_short Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
title_full Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
title_fullStr Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
title_full_unstemmed Dogmatics among the ruins : the relevance of German expressionism and the Enlightenment as contexts for Karl Barth's theological development
title_sort dogmatics among the ruins : the relevance of german expressionism and the enlightenment as contexts for karl barth's theological development
publisher University of Edinburgh
publishDate 1996
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.641837
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