Portfolio of original compositions and analytical commentary
This portfolio of original compositions investigates how a concentrated perspective on one particular sound source has the potential to develop a perceptual link between the listener, the work and the world in which we live. To this end a contradictory approach to organising sound is employed; sound...
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ndltd-bl.uk-oai-ethos.bl.uk-6348502017-07-25T03:21:38ZPortfolio of original compositions and analytical commentarySarsfield, Donal RobertReeves, Camden; Berezan, David2014This portfolio of original compositions investigates how a concentrated perspective on one particular sound source has the potential to develop a perceptual link between the listener, the work and the world in which we live. To this end a contradictory approach to organising sound is employed; sounds are chosen for their intrinsic properties but are never fully removed from their referential identity. This approach is framed within a broad awareness of cultural listening, which recognises the value of the sound sources in society, but within the confines of the work these sounds operate with neutral symbolic function in order to emphasise their morphological identity. The commentary discusses the main issues arising relating to the composition of the six works in the portfolio, namely the recording, transformation and organising of recorded sound.781.3organised soundUniversity of Manchesterhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634850https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions-and-analytical-commentary(805142f6-b06e-499f-bfaa-371362235972).htmlElectronic Thesis or Dissertation |
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781.3 organised sound |
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781.3 organised sound Sarsfield, Donal Robert Portfolio of original compositions and analytical commentary |
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This portfolio of original compositions investigates how a concentrated perspective on one particular sound source has the potential to develop a perceptual link between the listener, the work and the world in which we live. To this end a contradictory approach to organising sound is employed; sounds are chosen for their intrinsic properties but are never fully removed from their referential identity. This approach is framed within a broad awareness of cultural listening, which recognises the value of the sound sources in society, but within the confines of the work these sounds operate with neutral symbolic function in order to emphasise their morphological identity. The commentary discusses the main issues arising relating to the composition of the six works in the portfolio, namely the recording, transformation and organising of recorded sound. |
author2 |
Reeves, Camden; Berezan, David |
author_facet |
Reeves, Camden; Berezan, David Sarsfield, Donal Robert |
author |
Sarsfield, Donal Robert |
author_sort |
Sarsfield, Donal Robert |
title |
Portfolio of original compositions and analytical commentary |
title_short |
Portfolio of original compositions and analytical commentary |
title_full |
Portfolio of original compositions and analytical commentary |
title_fullStr |
Portfolio of original compositions and analytical commentary |
title_full_unstemmed |
Portfolio of original compositions and analytical commentary |
title_sort |
portfolio of original compositions and analytical commentary |
publisher |
University of Manchester |
publishDate |
2014 |
url |
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634850 |
work_keys_str_mv |
AT sarsfielddonalrobert portfoliooforiginalcompositionsandanalyticalcommentary |
_version_ |
1718504082884263936 |