Performing Bristol : towards a cultural politics of creativity

This thesis examines the role of cultural creativity in urban belonging. It explores some of the people, places and organisations involved in producing and consuming Bristol as a creative city, to show that this performance is a contingent achievement. Drawing on the performance practices of spoken...

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Main Author: Richardson, Elizabeth Celia Iris
Published: Durham University 2014
Subjects:
550
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630067
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spelling ndltd-bl.uk-oai-ethos.bl.uk-6300672016-08-04T03:45:33ZPerforming Bristol : towards a cultural politics of creativityRichardson, Elizabeth Celia Iris2014This thesis examines the role of cultural creativity in urban belonging. It explores some of the people, places and organisations involved in producing and consuming Bristol as a creative city, to show that this performance is a contingent achievement. Drawing on the performance practices of spoken word, scripted theatre and Carnival in Bristol, the thesis argues that this instability of cultural creativity is played out through a dynamic of order and disorder. This is illustrated through the manner in which four elements of creative practice take place in Bristol. Firstly, ‘making’ is shown to occur through an emergent order that produces and maintains unstable spaces for creativity in the city. Secondly, such spaces for creativity are worked through by ‘circulating’ pasts that can be both a constraining and a productive force in contemporary belongings. Thirdly, this ambiguity of attachments is played out through acts of ‘expressing’ that both constitute and upset the subject. Fourthly, the ‘fragmenting’ of cultural activity is shown to be both product and producer of such precarious belonging. Taken together these creative movements point to the way culture is vital to building a social world from an individual one, but this is always a fragile construction. The ongoing necessity to belong, however fleetingly, must be balanced with the creative process of culture that is never straightforwardly affirmative. Culture’s tendency towards disorder might be productive but it also results in uncertainty. Without the stability of roles or the continuity of practices, a recurring implication of the order/disorder tension is the attempt to govern culture, to limit the scope of its creativity. The thesis draws out the potential and the constraints of such contingency to work towards a cultural politics of creativity. The creative tension in culture illustrates how people continue to work to belong, how they maintain attachments in the face of uncertainty.550Durham Universityhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630067http://etheses.dur.ac.uk/10823/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 550
spellingShingle 550
Richardson, Elizabeth Celia Iris
Performing Bristol : towards a cultural politics of creativity
description This thesis examines the role of cultural creativity in urban belonging. It explores some of the people, places and organisations involved in producing and consuming Bristol as a creative city, to show that this performance is a contingent achievement. Drawing on the performance practices of spoken word, scripted theatre and Carnival in Bristol, the thesis argues that this instability of cultural creativity is played out through a dynamic of order and disorder. This is illustrated through the manner in which four elements of creative practice take place in Bristol. Firstly, ‘making’ is shown to occur through an emergent order that produces and maintains unstable spaces for creativity in the city. Secondly, such spaces for creativity are worked through by ‘circulating’ pasts that can be both a constraining and a productive force in contemporary belongings. Thirdly, this ambiguity of attachments is played out through acts of ‘expressing’ that both constitute and upset the subject. Fourthly, the ‘fragmenting’ of cultural activity is shown to be both product and producer of such precarious belonging. Taken together these creative movements point to the way culture is vital to building a social world from an individual one, but this is always a fragile construction. The ongoing necessity to belong, however fleetingly, must be balanced with the creative process of culture that is never straightforwardly affirmative. Culture’s tendency towards disorder might be productive but it also results in uncertainty. Without the stability of roles or the continuity of practices, a recurring implication of the order/disorder tension is the attempt to govern culture, to limit the scope of its creativity. The thesis draws out the potential and the constraints of such contingency to work towards a cultural politics of creativity. The creative tension in culture illustrates how people continue to work to belong, how they maintain attachments in the face of uncertainty.
author Richardson, Elizabeth Celia Iris
author_facet Richardson, Elizabeth Celia Iris
author_sort Richardson, Elizabeth Celia Iris
title Performing Bristol : towards a cultural politics of creativity
title_short Performing Bristol : towards a cultural politics of creativity
title_full Performing Bristol : towards a cultural politics of creativity
title_fullStr Performing Bristol : towards a cultural politics of creativity
title_full_unstemmed Performing Bristol : towards a cultural politics of creativity
title_sort performing bristol : towards a cultural politics of creativity
publisher Durham University
publishDate 2014
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630067
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