The past as mise-en-scène : re-enactment in contemporary art
This thesis approaches re-enactment as a dominant strategy for the return of time-based practices through four case studies that inaugurate specific modes of fidelity to the event. Through the concept of the mise-en-scène, which I define as both a semiotic and psychic framing device and a literal pl...
| Main Author: | |
|---|---|
| Published: |
University College London (University of London)
2012
|
| Subjects: | |
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625921 |