Figures of anxiety: communication and monstrosity in Gothic fiction

This thesis seeks to explore the subject of communication in gothic fiction, identifying this as a key theme in terms of anxiety as explored in this genre of fiction. Communication is related specifically here to the concept of monstrosity, and representations of monstrous figures within the genre o...

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Main Author: Bowring, Nicola
Published: University of Nottingham 2013
Subjects:
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606008
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spelling ndltd-bl.uk-oai-ethos.bl.uk-6060082015-03-20T04:56:08ZFigures of anxiety: communication and monstrosity in Gothic fictionBowring, Nicola2013This thesis seeks to explore the subject of communication in gothic fiction, identifying this as a key theme in terms of anxiety as explored in this genre of fiction. Communication is related specifically here to the concept of monstrosity, and representations of monstrous figures within the genre of gothic fiction. The study is made through three key areas, the first focusing on language and communication, the second on the concept of the other and how alterity relates to communication, and the third examining the question of community as a key aspect within the theme of communication in gothic narratives. A wide range of texts is taken for discussion, historically speaking, from the earliest, Dacre's 1806 novel ZoJloya, through to the 2002 film 28 Days Later. Literary texts, films and television are included here for the different aspects they bring to the debate.809.38729University of Nottinghamhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606008Electronic Thesis or Dissertation
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topic 809.38729
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Bowring, Nicola
Figures of anxiety: communication and monstrosity in Gothic fiction
description This thesis seeks to explore the subject of communication in gothic fiction, identifying this as a key theme in terms of anxiety as explored in this genre of fiction. Communication is related specifically here to the concept of monstrosity, and representations of monstrous figures within the genre of gothic fiction. The study is made through three key areas, the first focusing on language and communication, the second on the concept of the other and how alterity relates to communication, and the third examining the question of community as a key aspect within the theme of communication in gothic narratives. A wide range of texts is taken for discussion, historically speaking, from the earliest, Dacre's 1806 novel ZoJloya, through to the 2002 film 28 Days Later. Literary texts, films and television are included here for the different aspects they bring to the debate.
author Bowring, Nicola
author_facet Bowring, Nicola
author_sort Bowring, Nicola
title Figures of anxiety: communication and monstrosity in Gothic fiction
title_short Figures of anxiety: communication and monstrosity in Gothic fiction
title_full Figures of anxiety: communication and monstrosity in Gothic fiction
title_fullStr Figures of anxiety: communication and monstrosity in Gothic fiction
title_full_unstemmed Figures of anxiety: communication and monstrosity in Gothic fiction
title_sort figures of anxiety: communication and monstrosity in gothic fiction
publisher University of Nottingham
publishDate 2013
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606008
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