Integrating content and semantic representations for music recommendation

Music recommender systems are used by millions of people every day to discover new and exciting music. Central to making recommendations is the representation of each track, which may be used to calculate similarity. Content representations capture the musical and texture facets of each track, and s...

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Main Author: Horsburgh, Ben
Other Authors: Craw, Susan; Massie, Stewart
Published: Robert Gordon University 2013
Subjects:
004
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580540
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spelling ndltd-bl.uk-oai-ethos.bl.uk-5805402015-12-03T03:38:54ZIntegrating content and semantic representations for music recommendationHorsburgh, BenCraw, Susan; Massie, Stewart2013Music recommender systems are used by millions of people every day to discover new and exciting music. Central to making recommendations is the representation of each track, which may be used to calculate similarity. Content representations capture the musical and texture facets of each track, and semantic representations describe social and cultural information provided by listeners. This thesis is motivated by an analysis of the strengths and weaknesses of both content and semantic representations. Content representations can be available for all tracks in a collection, but provide poor recommendation quality. Semantic representations suffer from the cold-start problem and are not available for all tracks, but provide good recommendation quality when a strong representation is available. These observations highlight the need to integrate both content and semantic representations, and use the strengths of each to improve music recommendation quality and discovery. A bridge of the gap between content and semantic representations is achieved in this thesis through hybrid representation. Content texture representations are examined, and a new music-inspired texture representation is defined. This content is integrated with semantic tags directly, and through a mid-level pseudo-tag representation. The effect of these approaches is to increase the high quality discovery of tracks, and to allow users to uncover interesting novel recommendations. The challenge of evaluating music recommendations when many tracks are undertagged is addressed. Implicit and explicit feedback provided by users is exploited to define a new ground truth similarity measure, which accurately reflects how different recommendation methods perform. A user study is conducted to evaluate both this measure, and the performance of integrated representations for recommending strong novel recommendations.004Robert Gordon Universityhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580540http://hdl.handle.net/10059/859Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 004
spellingShingle 004
Horsburgh, Ben
Integrating content and semantic representations for music recommendation
description Music recommender systems are used by millions of people every day to discover new and exciting music. Central to making recommendations is the representation of each track, which may be used to calculate similarity. Content representations capture the musical and texture facets of each track, and semantic representations describe social and cultural information provided by listeners. This thesis is motivated by an analysis of the strengths and weaknesses of both content and semantic representations. Content representations can be available for all tracks in a collection, but provide poor recommendation quality. Semantic representations suffer from the cold-start problem and are not available for all tracks, but provide good recommendation quality when a strong representation is available. These observations highlight the need to integrate both content and semantic representations, and use the strengths of each to improve music recommendation quality and discovery. A bridge of the gap between content and semantic representations is achieved in this thesis through hybrid representation. Content texture representations are examined, and a new music-inspired texture representation is defined. This content is integrated with semantic tags directly, and through a mid-level pseudo-tag representation. The effect of these approaches is to increase the high quality discovery of tracks, and to allow users to uncover interesting novel recommendations. The challenge of evaluating music recommendations when many tracks are undertagged is addressed. Implicit and explicit feedback provided by users is exploited to define a new ground truth similarity measure, which accurately reflects how different recommendation methods perform. A user study is conducted to evaluate both this measure, and the performance of integrated representations for recommending strong novel recommendations.
author2 Craw, Susan; Massie, Stewart
author_facet Craw, Susan; Massie, Stewart
Horsburgh, Ben
author Horsburgh, Ben
author_sort Horsburgh, Ben
title Integrating content and semantic representations for music recommendation
title_short Integrating content and semantic representations for music recommendation
title_full Integrating content and semantic representations for music recommendation
title_fullStr Integrating content and semantic representations for music recommendation
title_full_unstemmed Integrating content and semantic representations for music recommendation
title_sort integrating content and semantic representations for music recommendation
publisher Robert Gordon University
publishDate 2013
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580540
work_keys_str_mv AT horsburghben integratingcontentandsemanticrepresentationsformusicrecommendation
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