The signifying self : Cervantine drama as counter-perspective aesthetic
This thesis offers an evaluation of Miguel de Cervantes's Ocho comedias y ocho entremeses nuevos nunca representados (Madrid, 1615) with the aim of redressing the critical neglect suffered by Cervantine drama. Existing scholarship on the plays traditionally prioritises what Cervantes's the...
Main Author: | Henry, M. |
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Published: |
Queen's University Belfast
2012
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Subjects: | |
Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557617 |
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