Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities

This thesis explores attempts to intervene on behaviour in the urban night in Newcastle, in order to look at the relationship between the discourses and visions of policy-makers and the lived practice of cities. At its heart is an interest in how imagining and encouraging the emergence of new subjec...

Full description

Bibliographic Details
Main Author: Shaw, Robert Edward
Published: Durham University 2012
Subjects:
550
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550673
id ndltd-bl.uk-oai-ethos.bl.uk-550673
record_format oai_dc
spelling ndltd-bl.uk-oai-ethos.bl.uk-5506732015-12-03T03:46:51ZPractising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivitiesShaw, Robert Edward2012This thesis explores attempts to intervene on behaviour in the urban night in Newcastle, in order to look at the relationship between the discourses and visions of policy-makers and the lived practice of cities. At its heart is an interest in how imagining and encouraging the emergence of new subjectivities has been a central part of the neoliberal ‘night-time economy’ – a term which I challenge as being too restrictive to describe the urban night. I seek to expand upon previous researchers who have too narrowly focused on the alcohol and leisure industry, abstracted from the rest of the night, which results in an inadequate description of the variety of actants involved in producing the subjectivities associated with the urban night. This thesis thus focuses on the four-way relationship between the built environment, legislation/policy, bodies, and subjectivities, as governed in the urban night. To do this, I conducted ethnographic and interview research with street-cleaners, taxi drivers, policy makers and bar staff in order to focus on the role of peripheral actors in producing the urban night. As thesis develops, I explore a ‘vocabulary of practice’ in order to set out the process of the emergence of subjectivities, and the different ways in which these are acted upon: in doing so, I introduce concepts of framing, assemblage, multiplicity, enunciation and affect, amongst others. This, then, draws from a diverse group of theorists, including the work of Felix Guattari, Giles Deleuze, Henri Lefebvre, Gregory Bateson, actor-network theory and non-representational theories. The thesis concludes by suggesting that further work is required on the relationship between policy formation and cities as practiced in everyday life, and that the theoretical approach used in this thesis provides suggestions as to how this might be developed.550Durham Universityhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550673http://etheses.dur.ac.uk/3536/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 550
spellingShingle 550
Shaw, Robert Edward
Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
description This thesis explores attempts to intervene on behaviour in the urban night in Newcastle, in order to look at the relationship between the discourses and visions of policy-makers and the lived practice of cities. At its heart is an interest in how imagining and encouraging the emergence of new subjectivities has been a central part of the neoliberal ‘night-time economy’ – a term which I challenge as being too restrictive to describe the urban night. I seek to expand upon previous researchers who have too narrowly focused on the alcohol and leisure industry, abstracted from the rest of the night, which results in an inadequate description of the variety of actants involved in producing the subjectivities associated with the urban night. This thesis thus focuses on the four-way relationship between the built environment, legislation/policy, bodies, and subjectivities, as governed in the urban night. To do this, I conducted ethnographic and interview research with street-cleaners, taxi drivers, policy makers and bar staff in order to focus on the role of peripheral actors in producing the urban night. As thesis develops, I explore a ‘vocabulary of practice’ in order to set out the process of the emergence of subjectivities, and the different ways in which these are acted upon: in doing so, I introduce concepts of framing, assemblage, multiplicity, enunciation and affect, amongst others. This, then, draws from a diverse group of theorists, including the work of Felix Guattari, Giles Deleuze, Henri Lefebvre, Gregory Bateson, actor-network theory and non-representational theories. The thesis concludes by suggesting that further work is required on the relationship between policy formation and cities as practiced in everyday life, and that the theoretical approach used in this thesis provides suggestions as to how this might be developed.
author Shaw, Robert Edward
author_facet Shaw, Robert Edward
author_sort Shaw, Robert Edward
title Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
title_short Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
title_full Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
title_fullStr Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
title_full_unstemmed Practising the urban night in Newcastle-upon-Tyne : rhythms, frames, affects, assemblages and subjectivities
title_sort practising the urban night in newcastle-upon-tyne : rhythms, frames, affects, assemblages and subjectivities
publisher Durham University
publishDate 2012
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550673
work_keys_str_mv AT shawrobertedward practisingtheurbannightinnewcastleupontynerhythmsframesaffectsassemblagesandsubjectivities
_version_ 1718142847397396480