'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property

This thesis investigates depictions of male dismemberment at Anglo and Native American contact sites in the tales of Edgar Allan Poe. It argues for Poe’s subscription to a traditional theology that posits Neoplatonic concepts of the soul as mandatory for the constitution of rational humanity, and co...

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Main Author: Klotz, Kurt
Published: University of Glasgow 2011
Subjects:
810
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535462
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spelling ndltd-bl.uk-oai-ethos.bl.uk-5354622015-03-20T03:31:44Z'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and propertyKlotz, Kurt2011This thesis investigates depictions of male dismemberment at Anglo and Native American contact sites in the tales of Edgar Allan Poe. It argues for Poe’s subscription to a traditional theology that posits Neoplatonic concepts of the soul as mandatory for the constitution of rational humanity, and contends that he looks critically from this perspective at the contingency of national citizenship on property ownership in Jacksonian America. This investigation therefore involves an analysis of the link between property and national subjectivity, with emphasis on the recurrent trope in contemporary literature of the male body dismembered by ‘Indian warfare’, and how this body represents early America’s uncertain claim to its national territory and, by extension, the constituting condition of property. This thesis also assesses epistemological and religious formations in Poe’s fiction. Poe’s tales often express a theological anxiety, with tensions created as the knowledge systems that define Poe’s subjectivities subordinate spirituality to empirical mensuration and representation. Dramatizing this shift from teleology to epistemology and its disarticulating effect on the self are Poe’s ‘married women’ stories. Keeping in mind links between soteriological paradigms and identity construction, methodologies are partially organized around Poe’s presentation of women in his essays and tales, with particular emphasis on ‘The Poetic Principle’ and ‘Berenice’. The interpretive apparatus gained by historical contextualization and the assessment of Poe’s epistemological and religious formations is then mobilized towards reading the disarticulate male body as a nexus of Poe’s concerns about property ownership, epistemology and theology, and analyzing his tales pertaining to colonial contact, particularly: ‘The Masque of the Red Death’, ‘Morning on the Wissahiccon’, ‘The Man That Was Used Up’, ‘The Journal of Julius Rodman’, and The Narrative of Arthur Gordon Pym of Nantucket.810PS American literature : PR English literatureUniversity of Glasgowhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535462http://theses.gla.ac.uk/2647/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 810
PS American literature : PR English literature
spellingShingle 810
PS American literature : PR English literature
Klotz, Kurt
'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
description This thesis investigates depictions of male dismemberment at Anglo and Native American contact sites in the tales of Edgar Allan Poe. It argues for Poe’s subscription to a traditional theology that posits Neoplatonic concepts of the soul as mandatory for the constitution of rational humanity, and contends that he looks critically from this perspective at the contingency of national citizenship on property ownership in Jacksonian America. This investigation therefore involves an analysis of the link between property and national subjectivity, with emphasis on the recurrent trope in contemporary literature of the male body dismembered by ‘Indian warfare’, and how this body represents early America’s uncertain claim to its national territory and, by extension, the constituting condition of property. This thesis also assesses epistemological and religious formations in Poe’s fiction. Poe’s tales often express a theological anxiety, with tensions created as the knowledge systems that define Poe’s subjectivities subordinate spirituality to empirical mensuration and representation. Dramatizing this shift from teleology to epistemology and its disarticulating effect on the self are Poe’s ‘married women’ stories. Keeping in mind links between soteriological paradigms and identity construction, methodologies are partially organized around Poe’s presentation of women in his essays and tales, with particular emphasis on ‘The Poetic Principle’ and ‘Berenice’. The interpretive apparatus gained by historical contextualization and the assessment of Poe’s epistemological and religious formations is then mobilized towards reading the disarticulate male body as a nexus of Poe’s concerns about property ownership, epistemology and theology, and analyzing his tales pertaining to colonial contact, particularly: ‘The Masque of the Red Death’, ‘Morning on the Wissahiccon’, ‘The Man That Was Used Up’, ‘The Journal of Julius Rodman’, and The Narrative of Arthur Gordon Pym of Nantucket.
author Klotz, Kurt
author_facet Klotz, Kurt
author_sort Klotz, Kurt
title 'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
title_short 'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
title_full 'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
title_fullStr 'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
title_full_unstemmed 'This thing of darkness I acknowledge mine' : Edgar Allan Poe, Native Americans and property
title_sort 'this thing of darkness i acknowledge mine' : edgar allan poe, native americans and property
publisher University of Glasgow
publishDate 2011
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535462
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