Social mobility, masculinity and popular music : the case of glam rock
Since its emergence in the early seventies, glam rock has been theoretically categorized as a moment in British popular culture in which essentialist ideas about male gendered identity in particular were rendered problematic for a popular music audience. In providing both a discursive reading of gla...
Main Author: | Branch, Andrew |
---|---|
Published: |
University of East London
2010
|
Subjects: | |
Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533002 |
Similar Items
-
The politics of popular music and youth culture in 21st-century Mauritius and Réunion
by: Bremner, Natalia Katherine
Published: (2014) -
Danse philosophique! : the social and political dynamics of Zouglou music in Abidjan, Côte d'Ivoire, 1990-2008
by: Schumann, Anne
Published: (2010) -
Representations and experiences of women hard rock and metal fans in the imaginary community
by: Hill, Rosemary Lucy
Published: (2013) -
Noises : free music, improvisation and the avant-garde, London 1965 to 1990
by: Scott, Richard Patrick
Published: (1991) -
The role of a music group in addressing the needs of women and children seeking asylum
by: Scott-Hall, Elizabeth
Published: (2013)