Belly dance and glocalisation : constructing gender in Egypt and on the global stage

This thesis is an ethnography of the global belly dance community with particular reference to the transmission of dance paradigms from Cairo to the international dance community. Key words describing my topic include dance, gender, performance, group dynamics, social norms and resistance, public vs...

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Main Author: McDonald, Caitlin
Other Authors: Al-Ali, Nadje
Published: University of Exeter 2010
Subjects:
306
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529298
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spelling ndltd-bl.uk-oai-ethos.bl.uk-5292982015-07-02T03:20:39ZBelly dance and glocalisation : constructing gender in Egypt and on the global stageMcDonald, CaitlinAl-Ali, Nadje2010This thesis is an ethnography of the global belly dance community with particular reference to the transmission of dance paradigms from Cairo to the international dance community. Key words describing my topic include dance, gender, performance, group dynamics, social norms and resistance, public vs. private, tourism, and globalisation. I hypothesize that social dancing is used in many parts of the world as a space outside ordinary life in which to demonstrate compliance with or to challenge prevailing social paradigms. The examination of dance as a globalised unit of cultural capital is an emerging field. With this in mind I investigate the way this dance is employed in professional, semi-professional, and non-professional settings in Egypt and in other parts of the world, notably North America and Europe. Techniques included interviewing members of the international dance community who engage in dance tourism, travelling from their homes to Egypt or other destinations in order to take dance classes, get costumes, or in other ways seek to have an 'authentic' dance experience. I also explored connections dancers fostered with other members of the dance community both locally and in geographically distant locations by using online blogs, websites, listservs and social networking sites. I conducted the first part of my fieldwork in Cairo following this with fieldwork in belly dance communities in the United States and Britain.306gender : Middle East : dance : culture : tourism : cultural tourism : globalisation : glocalisation : belly dance : Oriental dance : Egyptian dance : Middle Eastern dance : MENA : women : femininity : masculinity : power : ephemeral culture : material culture : paradigms : norms : normativity : challenges : fantasy : construction of self : construction of others : cultural capitalUniversity of Exeterhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529298http://hdl.handle.net/10036/119585Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 306
gender : Middle East : dance : culture : tourism : cultural tourism : globalisation : glocalisation : belly dance : Oriental dance : Egyptian dance : Middle Eastern dance : MENA : women : femininity : masculinity : power : ephemeral culture : material culture : paradigms : norms : normativity : challenges : fantasy : construction of self : construction of others : cultural capital
spellingShingle 306
gender : Middle East : dance : culture : tourism : cultural tourism : globalisation : glocalisation : belly dance : Oriental dance : Egyptian dance : Middle Eastern dance : MENA : women : femininity : masculinity : power : ephemeral culture : material culture : paradigms : norms : normativity : challenges : fantasy : construction of self : construction of others : cultural capital
McDonald, Caitlin
Belly dance and glocalisation : constructing gender in Egypt and on the global stage
description This thesis is an ethnography of the global belly dance community with particular reference to the transmission of dance paradigms from Cairo to the international dance community. Key words describing my topic include dance, gender, performance, group dynamics, social norms and resistance, public vs. private, tourism, and globalisation. I hypothesize that social dancing is used in many parts of the world as a space outside ordinary life in which to demonstrate compliance with or to challenge prevailing social paradigms. The examination of dance as a globalised unit of cultural capital is an emerging field. With this in mind I investigate the way this dance is employed in professional, semi-professional, and non-professional settings in Egypt and in other parts of the world, notably North America and Europe. Techniques included interviewing members of the international dance community who engage in dance tourism, travelling from their homes to Egypt or other destinations in order to take dance classes, get costumes, or in other ways seek to have an 'authentic' dance experience. I also explored connections dancers fostered with other members of the dance community both locally and in geographically distant locations by using online blogs, websites, listservs and social networking sites. I conducted the first part of my fieldwork in Cairo following this with fieldwork in belly dance communities in the United States and Britain.
author2 Al-Ali, Nadje
author_facet Al-Ali, Nadje
McDonald, Caitlin
author McDonald, Caitlin
author_sort McDonald, Caitlin
title Belly dance and glocalisation : constructing gender in Egypt and on the global stage
title_short Belly dance and glocalisation : constructing gender in Egypt and on the global stage
title_full Belly dance and glocalisation : constructing gender in Egypt and on the global stage
title_fullStr Belly dance and glocalisation : constructing gender in Egypt and on the global stage
title_full_unstemmed Belly dance and glocalisation : constructing gender in Egypt and on the global stage
title_sort belly dance and glocalisation : constructing gender in egypt and on the global stage
publisher University of Exeter
publishDate 2010
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529298
work_keys_str_mv AT mcdonaldcaitlin bellydanceandglocalisationconstructinggenderinegyptandontheglobalstage
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