Time and film style
This thesis proposes that the temporality of the moving image is not just its basic condition, but also an alterable stylistic parameter. By analysing three broad stylistic categories of cinema - Classical Continuity-editing, Montage, and Long Take - it is demonstrated that the time of a sequence or...
| Main Author: | |
|---|---|
| Published: |
University of Warwick
2009
|
| Subjects: | |
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.524964 |