Aesthetic and ideological trends in the reception of Mendelssohn's music in nineteenth-century Germany
This dissertation investigates trends in the critical reception of the music of Felix Mendelssohn Bartholdy in the second and third quarters of the nineteenth century; more precisely, from the earliest reviews ofhis works to appear in the German musical press (1824) up to the controversy provoked by...
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University of Manchester
2008
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504770 |