The voice in Kaija Saariaho's Music 1977-2000

This thesis examines the use of the voice in Kaija Saariaho's works composed between the years 1977 and 2000, including her first opera L 'Amour de loin (2000). The term 'voice' refers to all live, recorded and/or processed vocal sounds and synthesised sounds modelled on vocal ti...

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Main Author: Oskala, Anni Katariina
Published: University of Oxford 2008
Subjects:
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077
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spelling ndltd-bl.uk-oai-ethos.bl.uk-4910772015-03-20T06:30:14ZThe voice in Kaija Saariaho's Music 1977-2000Oskala, Anni Katariina2008This thesis examines the use of the voice in Kaija Saariaho's works composed between the years 1977 and 2000, including her first opera L 'Amour de loin (2000). The term 'voice' refers to all live, recorded and/or processed vocal sounds and synthesised sounds modelled on vocal timbres.782.0092University of Oxfordhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 782.0092
spellingShingle 782.0092
Oskala, Anni Katariina
The voice in Kaija Saariaho's Music 1977-2000
description This thesis examines the use of the voice in Kaija Saariaho's works composed between the years 1977 and 2000, including her first opera L 'Amour de loin (2000). The term 'voice' refers to all live, recorded and/or processed vocal sounds and synthesised sounds modelled on vocal timbres.
author Oskala, Anni Katariina
author_facet Oskala, Anni Katariina
author_sort Oskala, Anni Katariina
title The voice in Kaija Saariaho's Music 1977-2000
title_short The voice in Kaija Saariaho's Music 1977-2000
title_full The voice in Kaija Saariaho's Music 1977-2000
title_fullStr The voice in Kaija Saariaho's Music 1977-2000
title_full_unstemmed The voice in Kaija Saariaho's Music 1977-2000
title_sort voice in kaija saariaho's music 1977-2000
publisher University of Oxford
publishDate 2008
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077
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