Divergent femininities in British film, 1945-59
British cinema of the post-war period has often been characterised as anodyne in terms of gender relations, with the exciting 'wicked ladies' of the war years erased in favour of more conservative versions of femininity. Recent writing (Geraghty, 2000, Harper and Porter, 2003) has brought...
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University of Hull
2004
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418975 |