Towards music perception by redundancy reduction and unsupervised learning in probabilistic models

The study of music perception lies at the intersection of several disciplines: perceptual psychology and cognitive science, musicology, psychoacoustics, and acoustical signal processing amongst others. Developments in perceptual theory over the last fifty years have emphasised an approach based on S...

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Main Author: Abdallah, Samer Adel
Published: Queen Mary, University of London 2002
Subjects:
Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405920
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spelling ndltd-bl.uk-oai-ethos.bl.uk-4059202019-02-27T03:21:46ZTowards music perception by redundancy reduction and unsupervised learning in probabilistic modelsAbdallah, Samer Adel2002The study of music perception lies at the intersection of several disciplines: perceptual psychology and cognitive science, musicology, psychoacoustics, and acoustical signal processing amongst others. Developments in perceptual theory over the last fifty years have emphasised an approach based on Shannon’s information theory and its basis in probabilistic systems, and in particular, the idea that perceptual systems in animals develop through a process of unsupervised learning in response to natural sensory stimulation, whereby the emerging computational structures are well adapted to the statistical structure of natural scenes. In turn, these ideas are being applied to problems in music perception. This thesis is an investigation of the principle of redundancy reduction through unsupervised learning, as applied to representations of sound and music. In the first part, previous work is reviewed, drawing on literature from some of the fields mentioned above, and an argument presented in support of the idea that perception in general and music perception in particular can indeed be accommodated within a framework of unsupervised learning in probabilistic models. In the second part, two related methods are applied to two different low-level representations. Firstly, linear redundancy reduction (Independent Component Analysis) is applied to acoustic waveforms of speech and music. Secondly, the related method of sparse coding is applied to a spectral representation of polyphonic music, which proves to be enough both to recognise that the individual notes are the important structural elements, and to recover a rough transcription of the music. Finally, the concepts of distance and similarity are considered, drawing in ideas about noise, phase invariance, and topological maps. Some ecologically and information theoretically motivated distance measures are suggested, and put in to practice in a novel method, using multidimensional scaling (MDS), for visualising geometrically the dependency structure in a distributed representation.621.3822Electronic EngineeringQueen Mary, University of Londonhttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405920http://qmro.qmul.ac.uk/xmlui/handle/123456789/3801Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 621.3822
Electronic Engineering
spellingShingle 621.3822
Electronic Engineering
Abdallah, Samer Adel
Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
description The study of music perception lies at the intersection of several disciplines: perceptual psychology and cognitive science, musicology, psychoacoustics, and acoustical signal processing amongst others. Developments in perceptual theory over the last fifty years have emphasised an approach based on Shannon’s information theory and its basis in probabilistic systems, and in particular, the idea that perceptual systems in animals develop through a process of unsupervised learning in response to natural sensory stimulation, whereby the emerging computational structures are well adapted to the statistical structure of natural scenes. In turn, these ideas are being applied to problems in music perception. This thesis is an investigation of the principle of redundancy reduction through unsupervised learning, as applied to representations of sound and music. In the first part, previous work is reviewed, drawing on literature from some of the fields mentioned above, and an argument presented in support of the idea that perception in general and music perception in particular can indeed be accommodated within a framework of unsupervised learning in probabilistic models. In the second part, two related methods are applied to two different low-level representations. Firstly, linear redundancy reduction (Independent Component Analysis) is applied to acoustic waveforms of speech and music. Secondly, the related method of sparse coding is applied to a spectral representation of polyphonic music, which proves to be enough both to recognise that the individual notes are the important structural elements, and to recover a rough transcription of the music. Finally, the concepts of distance and similarity are considered, drawing in ideas about noise, phase invariance, and topological maps. Some ecologically and information theoretically motivated distance measures are suggested, and put in to practice in a novel method, using multidimensional scaling (MDS), for visualising geometrically the dependency structure in a distributed representation.
author Abdallah, Samer Adel
author_facet Abdallah, Samer Adel
author_sort Abdallah, Samer Adel
title Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
title_short Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
title_full Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
title_fullStr Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
title_full_unstemmed Towards music perception by redundancy reduction and unsupervised learning in probabilistic models
title_sort towards music perception by redundancy reduction and unsupervised learning in probabilistic models
publisher Queen Mary, University of London
publishDate 2002
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405920
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