Fire in the dark : telling gypsiness in North East England

Taking as a starting point the interactions of people from different cultural backgrounds (Gypsies and non-Gypsies) this thesis examines the participants' different ways of being in the world and what this means for their ability to communicate and plan effectively together. Split into three se...

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Main Author: Buckler, Elizabeth Sarah
Published: Durham University 2003
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Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397690
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spelling ndltd-bl.uk-oai-ethos.bl.uk-3976902016-11-18T03:22:01ZFire in the dark : telling gypsiness in North East EnglandBuckler, Elizabeth Sarah2003Taking as a starting point the interactions of people from different cultural backgrounds (Gypsies and non-Gypsies) this thesis examines the participants' different ways of being in the world and what this means for their ability to communicate and plan effectively together. Split into three sections the thesis uses an organising metaphor of a fire burning in the darkness in a wasteland. The first section - the Wasteland - situates the work in relation to a number of theoretical frames; Gypsy studies, anthropological work on identity and ethnicity, notions of intersubjectivity developed by phenomenologists and recent work examining the role of tropes in anthropology and understandings of culture. This section also gives the work a methodological frame looking especially at the nature of the fieldwork experience and the ethical issues involved in representing people. Finally this section locates the work in a geo-historical context, the place and space of Teesside, North East England. The second section - the Fire - examines the role of stories in teaching a sense of Gypsiness. Looking specifically at the stories Gypsies tell and their relationship to ideas and experiences of `family' the ethnographic thrust of this section is to develop a clear sense of the social aesthetic standards in operation in Gypsy story telling. This is then extended to show how such social aesthetic standards remain in operation in the everyday actions and interactions of Gypsies. Illuminating these social aesthetic standards gives a clear point from which to start comparing Gypsy styles of interaction with those of the non-Gypsy world. The third and final section - the Dark - places the ethnography of the previous section in the wider context of the non-Gypsy world. This then provides the grounds from which to conduct a detailed examination and comparison of the different styles of interaction at work when Gypsies and non-Gypsies come together. Some conclusions are drawn as to the significance of understanding different styles of being in the world and the implications such understandings have for guiding planning and policy work. The thesis finishes with a suggestion of the significance of the work and conclusions drawn as regards anthropology in general.305.891497Durham Universityhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397690http://etheses.dur.ac.uk/1256/Electronic Thesis or Dissertation
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Buckler, Elizabeth Sarah
Fire in the dark : telling gypsiness in North East England
description Taking as a starting point the interactions of people from different cultural backgrounds (Gypsies and non-Gypsies) this thesis examines the participants' different ways of being in the world and what this means for their ability to communicate and plan effectively together. Split into three sections the thesis uses an organising metaphor of a fire burning in the darkness in a wasteland. The first section - the Wasteland - situates the work in relation to a number of theoretical frames; Gypsy studies, anthropological work on identity and ethnicity, notions of intersubjectivity developed by phenomenologists and recent work examining the role of tropes in anthropology and understandings of culture. This section also gives the work a methodological frame looking especially at the nature of the fieldwork experience and the ethical issues involved in representing people. Finally this section locates the work in a geo-historical context, the place and space of Teesside, North East England. The second section - the Fire - examines the role of stories in teaching a sense of Gypsiness. Looking specifically at the stories Gypsies tell and their relationship to ideas and experiences of `family' the ethnographic thrust of this section is to develop a clear sense of the social aesthetic standards in operation in Gypsy story telling. This is then extended to show how such social aesthetic standards remain in operation in the everyday actions and interactions of Gypsies. Illuminating these social aesthetic standards gives a clear point from which to start comparing Gypsy styles of interaction with those of the non-Gypsy world. The third and final section - the Dark - places the ethnography of the previous section in the wider context of the non-Gypsy world. This then provides the grounds from which to conduct a detailed examination and comparison of the different styles of interaction at work when Gypsies and non-Gypsies come together. Some conclusions are drawn as to the significance of understanding different styles of being in the world and the implications such understandings have for guiding planning and policy work. The thesis finishes with a suggestion of the significance of the work and conclusions drawn as regards anthropology in general.
author Buckler, Elizabeth Sarah
author_facet Buckler, Elizabeth Sarah
author_sort Buckler, Elizabeth Sarah
title Fire in the dark : telling gypsiness in North East England
title_short Fire in the dark : telling gypsiness in North East England
title_full Fire in the dark : telling gypsiness in North East England
title_fullStr Fire in the dark : telling gypsiness in North East England
title_full_unstemmed Fire in the dark : telling gypsiness in North East England
title_sort fire in the dark : telling gypsiness in north east england
publisher Durham University
publishDate 2003
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397690
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