The films of Chantal Akerman : a cinema of displacements
This thesis attempts to broaden the critical boundaries within which the films of Chantal Akerman have been discussed. First, it extends analysis from Akerman's 70s to her 80s and 90s films. Second, it argues that as well as her gender and aesthetic identities, Akerman's Belgian and Jewish...
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University of Warwick
1995
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389714 |