The reception of Dutch genre painting in England, 1695-1829
This thesis examines the place of Dutch genre painting in the English theory of art between 1695, when Dryden's translation of Du Fresnoy's De Arte Graphica established it as the quintessential example of bad artistic practice, and 1829, when the obsolescence of this way of thinking was si...
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University of Cambridge
1991
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359408 |