Tracking the collage aesthetic in the Harlem Renaissance, with special reference to Alain Locke's 'The new negro', Jean Toomer and Zora Neale Hurston

Tracking the collage aesthetic in the Harlem Renaissance, with special reference to Alain Locke's 'The new negro', Jean Toomer and Zora Neale Hurston

Bibliographic Details
Main Author:	Farebrother, Rachel Louise
Published:	University of Leeds 2003
Subjects:	810 Mules and men
Online Access:	http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275573

Similar Items

The fiction of zora neale hurston: an assertion of black womanhood The fiction of zora neale hurston: an assertion of black womanhood
by: Rita Terezinha Schmidt
Published: (2008-04-01)

The fiction of Zora Neale Hurston: an assertion of black womanhood* The fiction of Zora Neale Hurston: an assertion of black womanhood*
by: Rita Terezinha Schmidt
Published: (2008-04-01)

Zora Neale Hurston's views on men, women and love
by: Samuel, Willie Mae
Published: (1979)

Feminine Desire in Two of Zora Neale Hurston's Novels
by: Wang,Pi-chu, et al.
Published: (1996)

Voodoo in the Fiction of Charles Chesnutt and Zora Neale Hurston
by: KAREŠOVÁ, Denisa
Published: (2018)

Understanding Zora Neale Hurston's Their Eyes Were Watching God
by: Tatjana Vukelić
Published: (2007-12-01)

L'African American English di Zora Neale Hurston
by: Chiara Spallino
Published: (2011-01-01)

The themes of birth and death as archtypes in the four novels of Zora Neale Hurston
by: Simmons, Brenda Robinson
Published: (1973)

“Not a Thing of the Past”, Zora Neale Hurston and the Living Legacy of Folklore
by: Margaret Gillespie
Published: (2004-07-01)

“Ain't I a Black Woman?”:The Autobiography of Zora Neale Hurston
by: Chia-wen Tsai, et al.
Published: (2009)

The function of folklore in Zora Neale Hurston's Their eyes were watching God
by: Noel, Carol Anne
Published: (1985)

Aspects of narration and voice in Zora Neale Hurston’s Their Eyes Were Watching God
by: Vass, Verity
Published: (2018)

THE CONCEPT OF LOVE AND MARRIAGE IN ZORA NEALE HURSTON'S THEIR EYES WERE WATCHING GOD
by: Asst. Lecturer Farah Mahmood Abbas
Published: (2019-02-01)

Not India, in which Alejo Carpentier and Zora Neale Hurston finally discover America
by: Katz, Marco
Published: (2011)

The denunciation of patriarchy and capitalism in Zora Neale Hurston’s Their Eyes Were Watching God
by: Ondieki, Benjamin Orina
Published: (2009)

Variations around a theme : the place of Eatonville in the work of Zora Neale Hurston
by: Lewis, Jennifer
Published: (2014)

The Ethnography of Zora Neale Hurston: A Postmodern Writer Before Her Time
by: Robbins, Helen A.
Published: (1991)

\'Signifyin(g)\' womanhood: the short fiction of Zora Neale Hurston and Alice Walker
by: Michela Rosa di Candia
Published: (2008)

\'Signifyin(g)\' womanhood: the short fiction of Zora Neale Hurston and Alice Walker
by: Candia, Michela Rosa di
Published: (2008)

Zora Neale Hurston: Re-Assessing the Black Southern Identity and Stone Mill Creek

THE AFRO-AMERICAN WOMAN PORTRAIT IN ZORA NEALE HURSTON’S THEIR EYES WERE WATCHING GOD
by: Marilene Bauer dos Santos
Published: (2014-01-01)

Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity
by: Coloma Penate, Patricia
Published: (2012)

"The Mythic Text" of Phillis Wheatley, Harriet Jacobs, Zora Neale Hurston, and Maya Angelou
by: Rui-Ching Chen, et al.
Published: (2007)

Black female voice and identity in Zora Neale Hurston's their eyes were watchingGod
by: Xu, Hui-Hua, et al.
Published: (1994)

Black Female Voice and Identity in Zora Neale Hurston's Their Eyes Were Watching God
by: Hsu, Huei Hua, et al.
Published: (1994)

Being black and female : an analysis of literature by Zora Neale Hurston and Jessie Redmon Fauset
by: Scott, Robin Patricia
Published: (2006)

A Proud Crow in a Pigeon's Nest: The Independent Zora Neale Hurston in "Mules and Men"
by: Lo, Olivia T.
Published: (1991)

Paper Bag Explosions: A Theory of Becoming from Zora Neale Hurston to Frantz Fanon
by: Jade E Davis
Published: (2015-05-01)

"Can the Subaltern Speak?": the Porch Talk in Zora Neale Hurston's Their Eyes Were Watching God
by: Wang Shu-zen, et al.
Published: (1998)

Écrire le folklore : subversions épistémiques chez Zora Neale Hurston et Toni Morrison
by: Blanc, Carline
Published: (2017)

Janie’s Journey: Language, Body and Desire in Zora Neale Hurston’s Their Eyes Were Watching God
by: Yu-fen Lee, et al.

Signifying the Self: Cultural Trauma and Mechanisms of Memorialization in Zora Neale Hurston’s Their Eyes Were Watching God
by: Ana Țăranu
Published: (2021-07-01)

The Aesthetics of Healing in the Sacredness of the African American Female’s Bible: Zora Neale Hurston’s Moses, Man of the Mountain
by: Cucarella-Ramon, Vicent
Published: (2016-11-01)

The construction of identity in Alice Walker's The Color Purple and Zora Neale Hurston's Their Eyes Were Watching God
by: Nodari, Janice Inês
Published: (2012)

Literary Collage: Methodological Procedures in the Work of William Carlos Williams
by: Arnold, L. E.
Published: (1975)

Zora Neale Hurston's Their eyes were watching God: A stylistic analysis and its application to the teaching of writing
by: Klepadlo, Joseph Stanley
Published: (1990)

Nanny, Signifying Empowerment: The Evolution of the Dispirited Black Female in Zora Neale Hurston‘s Their Eyes Were Watching God
by: Iris M. LANCASTER
Published: (2017-12-01)

To Make a Woman Black: A Critical Analysis of the Women Characters in the Fiction and Folklore of Zora Neale Hurston
by: Jenkins, Joyce O.
Published: (1978)

Genuine Spectacle: Sliding Positionality in the Works of Pauline E. Hopkins, Zora Neale Hurston, Langston Hughes, and Spike Lee

"Love is Lak de Sea": Figurative Language in Zora Neale Hurston's <em>Their Eyes Were Watching God</em>.
by: Lima, Kalina Saraiva de
Published: (2002)