Slow motion : a cognitive and historical approach to its form, function and meaning

Slow motion : a cognitive and historical approach to its form, function and meaning

Bibliographic Details
Main Author:	Albert, Mary Suzanne Scott
Published:	Birkbeck (University of London) 2002
Subjects:	791 Literature
Online Access:	http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250179

Similar Items

Exploring the vid : a critical analysis of the form and its works
by: Stevens, Emily C.
Published: (2015)

Verses in the celluloid : poetry in film from 1910-2002, with special attention to the development of the film-poem
by: Speranza, Robert Scott
Published: (2002)

The cinema of Wong Kar-wai : style, form and narrative meaning
by: Bettinson, Gary
Published: (2006)

Masculinity and difference in popular film : an historical approach
by: Lewis, Gavin Peter
Published: (2003)

Indentity-in-motion : the narrative duration of the dis/continuous film moment
by: Walsh, Maria
Published: (2003)

Words into images : H. SolaÌs' film re-creation of C. Villaverde's Cecilia ValdeÌs and the debate over Cuban identity
by: AbeijoÌn, MariÌa LoÌpez
Published: (2002)

'Slow cinema' : temporality and style in contemporary art and experimental film
by: Flanagan, Matthew
Published: (2012)

Postmodernist cinema and feminist film criticism
by: Garrett, Roberta
Published: (2003)

A tale of loss and compensation : the representation of masculinity in British cinema of the 1990s
by: Mercer, Natalie
Published: (2001)

Masculinity and the sixties British film
by: Claydon, E. Anna
Published: (2003)

Representation of teenage identity in DEFA films of the eighties and early nineties
by: Mueller, Gabrielle
Published: (2003)

The films of David Mamet
by: Miret, Olga Nunex
Published: (2003)

Island in motion : transnational articulations in new Taiwanese cinema and its film culture
by: Kuan, Wen-chun
Published: (2014)

Stan Brakhage's spiritual imperative : its origins, corporeality, and form
by: Lori, Marco
Published: (2017)

In dialogue with the reel: the forms and functions of the cinematics self-reflective gesture
by: Lovat, Simon Richard
Published: (2008)

Past glories : the historical epic in contemporary Hollywood
by: Russell, James
Published: (2005)

The artist biopic : a historical analysis of narrative cinema, 1934-2010
by: Bovey, D.
Published: (2015)

Film matters : historical and material considerations of colour, movement and sound in film
by: Schroer, Kerstin
Published: (2016)

Discourses of affect in the 1930s Hollywood horror film cycle and in its aftermath to 1943
by: Naylor, Alexandra Mary Patricia
Published: (2007)

The war as it was : historical reception of the Great War in American popular cinema, 1918-1938
by: Copping, Ryan
Published: (2016)

The changing meanings of Jet Li : masculinity, stardom and transcultural reception
by: Yu, Qiong
Published: (2008)

A certain tendency? : style and meaning in the British New Wave
by: Taylor, Barnaby Falcon
Published: (2005)

The discursive significance of violence : an analysis of four popular twentieth century films
by: Hansen-Miller, David
Published: (2005)

Adapting Spanish literature : cinema, form, history
by: Faulkner, S.
Published: (2002)

Richard Attenborough and the British cinema: an historical analysis of the British films directed by Richard Attenborough
by: Dux, Sally L.
Published: (2009)

Emotion and cognition in the films of Bernardo Bertolucci
by: Serra, Silvana
Published: (2011)

Cinema and wild meaning : phenomenology, classical Indian theories and embodiment in cinema
by: Mullik, Gopalan
Published: (2015)

Horror on the Home Front : The Female Monster Cycle, World War Two and Historical Reception Studies
by: Snelson, Tim
Published: (2009)

The screenplays of Satyajit Ray : an analysis of their form, content and structure
by: Ghosh, Suman
Published: (2010)

Screening boredom : the history and aesthetics of slow cinema
by: Çaglayan, Orhan Emre
Published: (2014)

Beyond totalitarian nostalgia : a critical urban reception study of historical drama on contemporary Chinese television
by: Guo, Dawei
Published: (2012)

Cultural traffic in Japanese anime : the meanings of promotion, reception and exhibition circuits in Princess Mononoke
by: Denison, Rayna L.
Published: (2005)

Love as a form of knowledge : the performance of culture in the films of Hal Hartley
by: Rawle, Steven Edward
Published: (2006)

Palermo as a postmodern carnival : forms of resistance in the cinema of Ciprì and Maresco
by: Longo, Abele
Published: (2016)

Expanding cinema : An exploration into alternative forms of production, organisation and exhibition of the moving image
by: Byrne, Joanna
Published: (2011)

The multisensory film experience : a cognitive model of experiential film aesthetics
by: Rocha Antunes, Luis
Published: (2017)

L'apparition d'une forme de néo-réalisme dans le cinéma français à partir de 1993 = The appearance of a form of neorealism in French cinema from 1993 onwards
by: Mazuy, Olivier Georges Pierre
Published: (2010)

No longer 'on the outside looking in' : Oscar Micheaux's role in the construction of a black American film form
by: Doheny, Niamh
Published: (2004)

The art of seeing - the art of listening : the politics of form in the works of Jean-Marie Straub and Danièle Huillet
by: Böser, Ursula
Published: (2000)

The art of seeing, the art of listening : the politics of form in the work of Jean-Marie Straub and Daniele Huillet
by: Böser, U.
Published: (2000)

Cannot write session to /tmp/vufind_sessions/sess_slpf0bpg2gg342lf014us2er5c