An Ethnology of Arizona Early Music Performers in the Twentieth Century

abstract: ABSTRACT A cultural overview of the so-called "early music movement" in Arizona, specifically the musicians who performed early music in the mid-to-late twentieth century, has never been undertaken. In applying ethnographic methods to Western art music, Kay Kaufman Shelemay sugge...

Full description

Bibliographic Details
Other Authors: De Fazio, James Michael (Author)
Format: Dissertation
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.8830
id ndltd-asu.edu-item-8830
record_format oai_dc
spelling ndltd-asu.edu-item-88302018-06-22T03:01:21Z An Ethnology of Arizona Early Music Performers in the Twentieth Century abstract: ABSTRACT A cultural overview of the so-called "early music movement" in Arizona, specifically the musicians who performed early music in the mid-to-late twentieth century, has never been undertaken. In applying ethnographic methods to Western art music, Kay Kaufman Shelemay suggests, in her 2001 article, "Toward an Ethnomusicology of the Early Music Movement," that a musical anthropology "would seem to hold great potential for the study of `Western music.'" In this paper I analyze and discuss issues related to "early music" in Arizona from roughly 1960 to 2008. In focusing primarily on the musicians themselves, I address issues in three primary areas: 1) the repertory and the so-called "early music revival;" 2) specific types of early music which have been presented in Arizona and the effects of economic factors; and 3) Arizona musicians' attitudes toward the repertory and their motivations for specializing in it. I then analyze Arizona musicians' involvement with both the early music repertory itself and with the community, identifying how musicians were exposed to early music and whether or not those first exposures began a long-lasting involvement with the repertory. In this section I also describe ways in which musicians define early music for themselves as well as analyze more critical areas such as musicians' formation of an "early music identity." I also asked informants to discuss how they see early music as being fundamentally different from other types of "classical" music and how they view their own places in that community of "difference." Finally, I compare musicians' thoughts on the "transformative" effect that some early music can have on performers and listeners and how that effect compares with similar phenomena in other types of Western art music. Dissertation/Thesis De Fazio, James Michael (Author) Haefer, John R (Advisor) Solis, Theodore (Committee member) Saucier, Catherine (Committee member) Arizona State University (Publisher) Music Cultural Anthropology early music eng 98 pages M.A. Music 2010 Masters Thesis http://hdl.handle.net/2286/R.I.8830 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2010
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Music
Cultural Anthropology
early music
spellingShingle Music
Cultural Anthropology
early music
An Ethnology of Arizona Early Music Performers in the Twentieth Century
description abstract: ABSTRACT A cultural overview of the so-called "early music movement" in Arizona, specifically the musicians who performed early music in the mid-to-late twentieth century, has never been undertaken. In applying ethnographic methods to Western art music, Kay Kaufman Shelemay suggests, in her 2001 article, "Toward an Ethnomusicology of the Early Music Movement," that a musical anthropology "would seem to hold great potential for the study of `Western music.'" In this paper I analyze and discuss issues related to "early music" in Arizona from roughly 1960 to 2008. In focusing primarily on the musicians themselves, I address issues in three primary areas: 1) the repertory and the so-called "early music revival;" 2) specific types of early music which have been presented in Arizona and the effects of economic factors; and 3) Arizona musicians' attitudes toward the repertory and their motivations for specializing in it. I then analyze Arizona musicians' involvement with both the early music repertory itself and with the community, identifying how musicians were exposed to early music and whether or not those first exposures began a long-lasting involvement with the repertory. In this section I also describe ways in which musicians define early music for themselves as well as analyze more critical areas such as musicians' formation of an "early music identity." I also asked informants to discuss how they see early music as being fundamentally different from other types of "classical" music and how they view their own places in that community of "difference." Finally, I compare musicians' thoughts on the "transformative" effect that some early music can have on performers and listeners and how that effect compares with similar phenomena in other types of Western art music. === Dissertation/Thesis === M.A. Music 2010
author2 De Fazio, James Michael (Author)
author_facet De Fazio, James Michael (Author)
title An Ethnology of Arizona Early Music Performers in the Twentieth Century
title_short An Ethnology of Arizona Early Music Performers in the Twentieth Century
title_full An Ethnology of Arizona Early Music Performers in the Twentieth Century
title_fullStr An Ethnology of Arizona Early Music Performers in the Twentieth Century
title_full_unstemmed An Ethnology of Arizona Early Music Performers in the Twentieth Century
title_sort ethnology of arizona early music performers in the twentieth century
publishDate 2010
url http://hdl.handle.net/2286/R.I.8830
_version_ 1718699229692559360