What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander
abstract: This thesis analyzes the unsettling presence of the Holocaust in Cynthia Ozick’s The Shawl (1980), Philip Roth’s The Ghost Writer (1979), and Nathan Englander’s What We Talk About When We Talk About Anne Frank (2013). Characters in these texts struggle to maintain a stable sense of what it...
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ndltd-asu.edu-item-573152020-06-02T03:01:27Z What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander abstract: This thesis analyzes the unsettling presence of the Holocaust in Cynthia Ozick’s The Shawl (1980), Philip Roth’s The Ghost Writer (1979), and Nathan Englander’s What We Talk About When We Talk About Anne Frank (2013). Characters in these texts struggle to maintain a stable sense of what it means to be Jewish in America outside of a relationship to the Holocaust. This leaves the characters only able to form negative associations about what it means to live with the memory of the Holocaust or to over-identify so heavily with the memory that they can’t lead a normal life. These authors construct a re-formed memory of the Holocaust in ways that prompt a new focus on how permanently intertwined the Holocaust and Jewish identity are. In this context, re-formed means the way Jewish American writers have reconstructed the connection between Jewish identity and its relation to the Holocaust in ways that highlight issues of over-identification and negative identity associations. By pushing past the trope of unspeakability that often surrounds the Holocaust, these authors construct a re-formed memory that allows for the formation of Jewish American identity as permanently bound with constant Holocaust preoccupation, the memory of Anne Frank, and the Holocaust itself. The authors’ treatment of issues surrounding Jewish identity contribute to the genre of post-Holocaust literature, which focuses on re-forming the discussion about present day Jewish American connection to the Holocaust. Giving voice to the Holocaust in new ways provides an opportunity for current and future generations of Jewish Americans to again consider the continued importance of the Holocaust as a historical event within the Jewish community. In a world that is once again becoming increasingly anti-semitic as a result of the current political climate, white supremacist riots, desecration of Jewish grave sites, and shootings at temples, the discussion that these texts open up is increasingly important and should remain at the forefront of American consciousness. The research in this thesis reveals that through the process of Holocaust memory constantly being re-formed through the work of these Jewish American authors, its continued influence on Jewish American culture is not forgotten. Dissertation/Thesis Miller, Samantha Tracy (Author) Goodman, Brian (Advisor) Holbo, Christine (Committee member) Lockard, Joe (Committee member) Arizona State University (Publisher) Literature Holocaust Negative identity Over-identification Post-Holocaust literature Re-form Trauma eng 65 pages Masters Thesis English 2020 Masters Thesis http://hdl.handle.net/2286/R.I.57315 http://rightsstatements.org/vocab/InC/1.0/ 2020 |
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English |
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Dissertation |
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Literature Holocaust Negative identity Over-identification Post-Holocaust literature Re-form Trauma |
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Literature Holocaust Negative identity Over-identification Post-Holocaust literature Re-form Trauma What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
description |
abstract: This thesis analyzes the unsettling presence of the Holocaust in Cynthia Ozick’s The Shawl (1980), Philip Roth’s The Ghost Writer (1979), and Nathan Englander’s What We Talk About When We Talk About Anne Frank (2013). Characters in these texts struggle to maintain a stable sense of what it means to be Jewish in America outside of a relationship to the Holocaust. This leaves the characters only able to form negative associations about what it means to live with the memory of the Holocaust or to over-identify so heavily with the memory that they can’t lead a normal life. These authors construct a re-formed memory of the Holocaust in ways that prompt a new focus on how permanently intertwined the Holocaust and Jewish identity are. In this context, re-formed means the way Jewish American writers have reconstructed the connection between Jewish identity and its relation to the Holocaust in ways that highlight issues of over-identification and negative identity associations.
By pushing past the trope of unspeakability that often surrounds the Holocaust, these authors construct a re-formed memory that allows for the formation of Jewish American identity as permanently bound with constant Holocaust preoccupation, the memory of Anne Frank, and the Holocaust itself. The authors’ treatment of issues surrounding Jewish identity contribute to the genre of post-Holocaust literature, which focuses on re-forming the discussion about present day Jewish American connection to the Holocaust. Giving voice to the Holocaust in new ways provides an opportunity for current and future generations of Jewish Americans to again consider the continued importance of the Holocaust as a historical event within the Jewish community.
In a world that is once again becoming increasingly anti-semitic as a result of the current political climate, white supremacist riots, desecration of Jewish grave sites, and shootings at temples, the discussion that these texts open up is increasingly important and should remain at the forefront of American consciousness. The research in this thesis reveals that through the process of Holocaust memory constantly being re-formed through the work of these Jewish American authors, its continued influence on Jewish American culture is not forgotten. === Dissertation/Thesis === Masters Thesis English 2020 |
author2 |
Miller, Samantha Tracy (Author) |
author_facet |
Miller, Samantha Tracy (Author) |
title |
What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
title_short |
What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
title_full |
What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
title_fullStr |
What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
title_full_unstemmed |
What We Don’t Talk About When We Talk About Anne Frank: Re-Forming Holocaust Memory Through The Fictional Narratives of Cynthia Ozick, Philip Roth, and Nathan Englander |
title_sort |
what we don’t talk about when we talk about anne frank: re-forming holocaust memory through the fictional narratives of cynthia ozick, philip roth, and nathan englander |
publishDate |
2020 |
url |
http://hdl.handle.net/2286/R.I.57315 |
_version_ |
1719315831809114112 |