The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design

abstract: The purpose of this qualitative study was to design and assess a dance pedagogy curriculum intended to cultivate private sector dance educators’ somatic perception. Research questions were framed to understand the nature of knowledge encouraged by the curriculum and each educator's ex...

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Other Authors: Wisniewski, Stacy (Author)
Format: Dissertation
Language:English
Published: 2020
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.57311
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spelling ndltd-asu.edu-item-573112020-06-02T03:01:27Z The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design abstract: The purpose of this qualitative study was to design and assess a dance pedagogy curriculum intended to cultivate private sector dance educators’ somatic perception. Research questions were framed to understand the nature of knowledge encouraged by the curriculum and each educator's experience of knowledge formation and application to each participant's pedagogical context. The study was conducted in four overlapping stages: 1) Philosophical inquiry, 2) Curricular design, 3) Limited case-study, and 4) Data analysis. The stages employed mix methodologies that included: action research, autobiographical reflection, ethnographic and phenomenological approaches. The limited case-study explored two private-sector dance educators’ experiences of the curriculum. Data collected during the limited case-study conducted with the dance educators revealed thematic clusters about the nature, cultivation, expression, and experience of somatic perception. The themes suggest that the nature of somatic perception reflects an individual educators’ lived experiences that shape values, movement patterns, and phrasing. The expression of somatic perception aligns with the individual educator’s narrative and was evident in patterns and phrasing of movement and learning. The cultivation of somatic perception is an ongoing process that requires active engagement to acquire, assimilate, and integrate the knowledge of content, context, self, and student. Finally, somatic perception manifested itself in each educator’s unique expression of confidence, empathy, creativity, and spontaneity resulting in skillful enactment of knowledge within an immediate pedagogical context. Dissertation/Thesis Wisniewski, Stacy (Author) Dyer, Becky (Advisor) Schupp, Karen (Committee member) Hannah, Christina (Committee member) Arizona State University (Publisher) Dance Curriculum development Teacher education curricular design dance education pedagogy perceptual transformation somatic perception eng 98 pages Masters Thesis Dance 2020 Masters Thesis http://hdl.handle.net/2286/R.I.57311 http://rightsstatements.org/vocab/InC/1.0/ 2020
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Dance
Curriculum development
Teacher education
curricular design
dance education
pedagogy
perceptual transformation
somatic perception
spellingShingle Dance
Curriculum development
Teacher education
curricular design
dance education
pedagogy
perceptual transformation
somatic perception
The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
description abstract: The purpose of this qualitative study was to design and assess a dance pedagogy curriculum intended to cultivate private sector dance educators’ somatic perception. Research questions were framed to understand the nature of knowledge encouraged by the curriculum and each educator's experience of knowledge formation and application to each participant's pedagogical context. The study was conducted in four overlapping stages: 1) Philosophical inquiry, 2) Curricular design, 3) Limited case-study, and 4) Data analysis. The stages employed mix methodologies that included: action research, autobiographical reflection, ethnographic and phenomenological approaches. The limited case-study explored two private-sector dance educators’ experiences of the curriculum. Data collected during the limited case-study conducted with the dance educators revealed thematic clusters about the nature, cultivation, expression, and experience of somatic perception. The themes suggest that the nature of somatic perception reflects an individual educators’ lived experiences that shape values, movement patterns, and phrasing. The expression of somatic perception aligns with the individual educator’s narrative and was evident in patterns and phrasing of movement and learning. The cultivation of somatic perception is an ongoing process that requires active engagement to acquire, assimilate, and integrate the knowledge of content, context, self, and student. Finally, somatic perception manifested itself in each educator’s unique expression of confidence, empathy, creativity, and spontaneity resulting in skillful enactment of knowledge within an immediate pedagogical context. === Dissertation/Thesis === Masters Thesis Dance 2020
author2 Wisniewski, Stacy (Author)
author_facet Wisniewski, Stacy (Author)
title The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
title_short The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
title_full The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
title_fullStr The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
title_full_unstemmed The Experience, Cultivation, and Expression of Somatic Perception: A Curricular Design
title_sort experience, cultivation, and expression of somatic perception: a curricular design
publishDate 2020
url http://hdl.handle.net/2286/R.I.57311
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