Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920

abstract: ABSTRACT Art historians typically consider Chinese porcelain a decorative art, resulting in scholars spending little time analyzing it as a fine art form. One area that is certainly neglected is porcelain produced during the late 19th and early 20th century during the late Qing dynasty (...

Full description

Bibliographic Details
Other Authors: Greene, Carolyn Ann (Author)
Format: Doctoral Thesis
Language:English
Published: 2019
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.53711
id ndltd-asu.edu-item-53711
record_format oai_dc
spelling ndltd-asu.edu-item-537112019-05-16T03:01:40Z Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 abstract: ABSTRACT Art historians typically consider Chinese porcelain a decorative art, resulting in scholars spending little time analyzing it as a fine art form. One area that is certainly neglected is porcelain produced during the late 19th and early 20th century during the late Qing dynasty (1644–1911) into the early Republic period (1912–1949). As the Qing dynasty weakened and ultimately fell in 1911, there was a general decline in the quantity of porcelain produced in China. Due to this circumstance, porcelain of this era has not received the detailed analysis, characterization of styles, comprehension of themes, and understanding of patronage evident in other periods of Chinese porcelain production. Ultimately, limited research has been conducted to establish the styles associated with late dynastic porcelain into the early Republic’s establishment. This dissertation utilizes a new perspective that considers the patronage of the Empress Dowager Cixi (1835-1908) as a high point of late dynastic porcelain. Concrete documentation establishes that motifs were appropriated from Cixi’s painting, suggesting a direct connection between schools of painting and the imagery selected for porcelain during her reign. The porcelain Cixi influenced directly guided the porcelain produced during the Hongxian era (1915-1916), making Cixi’s patronage the key turning point from dynastic porcelain to early Republic porcelain. Utilizing predominately British collections, this study identifies the styles, symbols, and themes associated with porcelain of the 19th and 20th century, elevating late dynastic and early Republic wares to the status of fine art. Dissertation/Thesis Greene, Carolyn Ann (Author) Brown, Claudia (Advisor) Baker, Janet (Committee member) Codell, Julie (Committee member) Fahlman, Betsy (Committee member) Arizona State University (Publisher) Art history Asian studies Empress Dowager Cixi patronage porcelain Qing Republic Yuan Shikai eng 375 pages Doctoral Dissertation Art History 2019 Doctoral Dissertation http://hdl.handle.net/2286/R.I.53711 http://rightsstatements.org/vocab/InC/1.0/ 2019
collection NDLTD
language English
format Doctoral Thesis
sources NDLTD
topic Art history
Asian studies
Empress Dowager Cixi
patronage
porcelain
Qing
Republic
Yuan Shikai
spellingShingle Art history
Asian studies
Empress Dowager Cixi
patronage
porcelain
Qing
Republic
Yuan Shikai
Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
description abstract: ABSTRACT Art historians typically consider Chinese porcelain a decorative art, resulting in scholars spending little time analyzing it as a fine art form. One area that is certainly neglected is porcelain produced during the late 19th and early 20th century during the late Qing dynasty (1644–1911) into the early Republic period (1912–1949). As the Qing dynasty weakened and ultimately fell in 1911, there was a general decline in the quantity of porcelain produced in China. Due to this circumstance, porcelain of this era has not received the detailed analysis, characterization of styles, comprehension of themes, and understanding of patronage evident in other periods of Chinese porcelain production. Ultimately, limited research has been conducted to establish the styles associated with late dynastic porcelain into the early Republic’s establishment. This dissertation utilizes a new perspective that considers the patronage of the Empress Dowager Cixi (1835-1908) as a high point of late dynastic porcelain. Concrete documentation establishes that motifs were appropriated from Cixi’s painting, suggesting a direct connection between schools of painting and the imagery selected for porcelain during her reign. The porcelain Cixi influenced directly guided the porcelain produced during the Hongxian era (1915-1916), making Cixi’s patronage the key turning point from dynastic porcelain to early Republic porcelain. Utilizing predominately British collections, this study identifies the styles, symbols, and themes associated with porcelain of the 19th and 20th century, elevating late dynastic and early Republic wares to the status of fine art. === Dissertation/Thesis === Doctoral Dissertation Art History 2019
author2 Greene, Carolyn Ann (Author)
author_facet Greene, Carolyn Ann (Author)
title Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
title_short Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
title_full Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
title_fullStr Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
title_full_unstemmed Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920
title_sort politics and patronage: a re-examination of late qing dynasty porcelain, 1850-1920
publishDate 2019
url http://hdl.handle.net/2286/R.I.53711
_version_ 1719184108982108160