Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos

abstract: Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often ref...

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Bibliographic Details
Other Authors: Cueva, Darren (Author)
Format: Doctoral Thesis
Language:English
Published: 2018
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.49101
id ndltd-asu.edu-item-49101
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spelling ndltd-asu.edu-item-491012018-06-22T03:09:18Z Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos abstract: Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often referred to as “nuevo tango” (new tango) which was popularized by Astor Piazzolla. This research paper will serve as a performance aid for those wishing to present tango idioms on the double bass in addition to a more detailed guide to performing Tres Tangos by Martín. To give context to performers, this survey begins with a brief history of the tango and the life and stylistic developments of Astor Piazzolla. Various music and dance styles that contributed to early tango include, milonga, habanera, and tango andalúz. The resulting tango was popularized as a music and dance style in the early twentieth century. Astor Piazzolla brought the tango to the concert hall after studying composition with acclaimed professor Nadia Boulanger. His new tango style merged traditional tango, classical composition, and jazz music, which he was exposed to after his family moved from Argentina to New York. Tres Tangos was modeled after the style of Piazzolla. Characteristic articulation and improvised techniques are a fundamental aspect of the tango sound; a successful performance will depend on the musician’s ability to create these sounds. A detailed description of the most common elements is provided as well as suggestions for creating them on the double bass. Finally, I have compiled a specific performance guide for Tres Tangos. This guide includes rhythmic, articulation, fingering, and notational considerations, to assist in the performance of this piece. Dissertation/Thesis Cueva, Darren (Author) Rotaru, Catalin (Advisor) Koonce, Frank (Committee member) Rogers, Rodney (Committee member) Arizona State University (Publisher) Music Musical composition Music history Andrés Martín Double Bass Tango eng 53 pages Doctoral Dissertation Music 2018 Doctoral Dissertation http://hdl.handle.net/2286/R.I.49101 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2018
collection NDLTD
language English
format Doctoral Thesis
sources NDLTD
topic Music
Musical composition
Music history
Andrés Martín
Double Bass
Tango
spellingShingle Music
Musical composition
Music history
Andrés Martín
Double Bass
Tango
Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
description abstract: Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often referred to as “nuevo tango” (new tango) which was popularized by Astor Piazzolla. This research paper will serve as a performance aid for those wishing to present tango idioms on the double bass in addition to a more detailed guide to performing Tres Tangos by Martín. To give context to performers, this survey begins with a brief history of the tango and the life and stylistic developments of Astor Piazzolla. Various music and dance styles that contributed to early tango include, milonga, habanera, and tango andalúz. The resulting tango was popularized as a music and dance style in the early twentieth century. Astor Piazzolla brought the tango to the concert hall after studying composition with acclaimed professor Nadia Boulanger. His new tango style merged traditional tango, classical composition, and jazz music, which he was exposed to after his family moved from Argentina to New York. Tres Tangos was modeled after the style of Piazzolla. Characteristic articulation and improvised techniques are a fundamental aspect of the tango sound; a successful performance will depend on the musician’s ability to create these sounds. A detailed description of the most common elements is provided as well as suggestions for creating them on the double bass. Finally, I have compiled a specific performance guide for Tres Tangos. This guide includes rhythmic, articulation, fingering, and notational considerations, to assist in the performance of this piece. === Dissertation/Thesis === Doctoral Dissertation Music 2018
author2 Cueva, Darren (Author)
author_facet Cueva, Darren (Author)
title Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
title_short Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
title_full Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
title_fullStr Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
title_full_unstemmed Performing Tango on the Double Bass: A Performance Guide to Andrés Martín’s Tres Tangos para Duo de Contrabajos
title_sort performing tango on the double bass: a performance guide to andrés martín’s tres tangos para duo de contrabajos
publishDate 2018
url http://hdl.handle.net/2286/R.I.49101
_version_ 1718701729007009792