Introduction of Soviet Trombone Literature to Western Trombone Repertoire

abstract: The canon of music performed in recitals by American trombonists contains very few works for trombone by composers from Russia and the Soviet Union. Trombonists in the United States periodically perform trombone solos by Nikolai Rimsky-Korsakov, Alexei Lebedev, Vladislav Blazhevich, Gregor...

Full description

Bibliographic Details
Other Authors: Roberts, Jay Daniel (Author)
Format: Doctoral Thesis
Language:English
Published: 2015
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.36460
id ndltd-asu.edu-item-36460
record_format oai_dc
spelling ndltd-asu.edu-item-364602018-06-22T03:06:54Z Introduction of Soviet Trombone Literature to Western Trombone Repertoire abstract: The canon of music performed in recitals by American trombonists contains very few works for trombone by composers from Russia and the Soviet Union. Trombonists in the United States periodically perform trombone solos by Nikolai Rimsky-Korsakov, Alexei Lebedev, Vladislav Blazhevich, Gregory Kalinkovich, Alexander Tcherepnin, and Eugene Reiche. But these works represent a very small percentage of trombone solos performed in recitals in the United States, and compositions written after 1960 by composers in the U.S.S.R. are completely absent from recital programs. The purpose of this project is to identify several Soviet-era compositions for trombonists that are worthy of introduction into trombone recital programs in the West. To support the thesis that Soviet-Russian trombone music has been disproportionally under-represented in American recital programs, a survey of over 3300 trombone recitals given in the United States from 1972 to 2013 was conducted. Once a body of significant works that had previously not been performed on American trombone recitals was identified, they were acquired, analyzed, and several were performed. The following compositions represent a list of Soviet-Russian solos not programmed on any of the 3300 recitals: German Grigoryevich Okunev, Adagio and Scherzo; Gregory Markovich Kalinkovich, Concertino for Trombone; Pavel Davidovich Saliman-Vladimirov, Concertino for Trombone; Vadim Veniaminovich Kulyov, Concertino for Trombone; Vladislav Alexanderovich Uspensky, Concertino for Trombone and Orchestra; Sergei Vasilyev and Vladimir Robertovich Enke, Concerto for Trombone and Orchestra; Sergei Borisovich Chebotaryov, Rondo for Tuba; Victor Nikolaevich Smirnov, Scherzo; Alfred Garievich Schnittke,“Schall und Hall”;and Tatyana Alexseyevna Chudova, Sonata for Trombone. Dissertation/Thesis Roberts, Jay Daniel (Author) Yeo, Douglas (Advisor) Carpenter, Ellon (Committee member) Swoboda, Deanna (Committee member) Arizona State University (Publisher) Music Russian history Blazhevich Lebedev Rimsky-Korsakov Russian Soviet Trombone solo eng 114 pages Doctoral Dissertation Music 2015 Doctoral Dissertation http://hdl.handle.net/2286/R.I.36460 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2015
collection NDLTD
language English
format Doctoral Thesis
sources NDLTD
topic Music
Russian history
Blazhevich
Lebedev
Rimsky-Korsakov
Russian
Soviet
Trombone solo
spellingShingle Music
Russian history
Blazhevich
Lebedev
Rimsky-Korsakov
Russian
Soviet
Trombone solo
Introduction of Soviet Trombone Literature to Western Trombone Repertoire
description abstract: The canon of music performed in recitals by American trombonists contains very few works for trombone by composers from Russia and the Soviet Union. Trombonists in the United States periodically perform trombone solos by Nikolai Rimsky-Korsakov, Alexei Lebedev, Vladislav Blazhevich, Gregory Kalinkovich, Alexander Tcherepnin, and Eugene Reiche. But these works represent a very small percentage of trombone solos performed in recitals in the United States, and compositions written after 1960 by composers in the U.S.S.R. are completely absent from recital programs. The purpose of this project is to identify several Soviet-era compositions for trombonists that are worthy of introduction into trombone recital programs in the West. To support the thesis that Soviet-Russian trombone music has been disproportionally under-represented in American recital programs, a survey of over 3300 trombone recitals given in the United States from 1972 to 2013 was conducted. Once a body of significant works that had previously not been performed on American trombone recitals was identified, they were acquired, analyzed, and several were performed. The following compositions represent a list of Soviet-Russian solos not programmed on any of the 3300 recitals: German Grigoryevich Okunev, Adagio and Scherzo; Gregory Markovich Kalinkovich, Concertino for Trombone; Pavel Davidovich Saliman-Vladimirov, Concertino for Trombone; Vadim Veniaminovich Kulyov, Concertino for Trombone; Vladislav Alexanderovich Uspensky, Concertino for Trombone and Orchestra; Sergei Vasilyev and Vladimir Robertovich Enke, Concerto for Trombone and Orchestra; Sergei Borisovich Chebotaryov, Rondo for Tuba; Victor Nikolaevich Smirnov, Scherzo; Alfred Garievich Schnittke,“Schall und Hall”;and Tatyana Alexseyevna Chudova, Sonata for Trombone. === Dissertation/Thesis === Doctoral Dissertation Music 2015
author2 Roberts, Jay Daniel (Author)
author_facet Roberts, Jay Daniel (Author)
title Introduction of Soviet Trombone Literature to Western Trombone Repertoire
title_short Introduction of Soviet Trombone Literature to Western Trombone Repertoire
title_full Introduction of Soviet Trombone Literature to Western Trombone Repertoire
title_fullStr Introduction of Soviet Trombone Literature to Western Trombone Repertoire
title_full_unstemmed Introduction of Soviet Trombone Literature to Western Trombone Repertoire
title_sort introduction of soviet trombone literature to western trombone repertoire
publishDate 2015
url http://hdl.handle.net/2286/R.I.36460
_version_ 1718700975764537344