Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)

abstract: The temple of the Sagrada Familia, by Gaudí, is nowadays one of the most emblematic buildings of Barcelona, and the most visited monument in Spain. Despite the high popularity surrounding the name of the architect, his great work, still unfinished, has divided public opinion in the city fo...

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Other Authors: LEON RIVERO, FRANCISCO (Author)
Format: Doctoral Thesis
Language:Spanish
Published: 2015
Subjects:
Aub
Online Access:http://hdl.handle.net/2286/R.I.29980
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spelling ndltd-asu.edu-item-299802018-06-22T03:06:19Z Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé) abstract: The temple of the Sagrada Familia, by Gaudí, is nowadays one of the most emblematic buildings of Barcelona, and the most visited monument in Spain. Despite the high popularity surrounding the name of the architect, his great work, still unfinished, has divided public opinion in the city for decades and has starred since its inception in a complex and paradoxical cultural phenomenon. My object of study consists of four major novels of modern Spanish narrative (Antagonía [1973-81], by Luis Goytisolo, La ciudad de los prodigios [1986], by Eduardo Mendoza, Campo cerrado [1943], by Max Aub and El amante bilingüe [1990], by Juan Marsé): all of them stand out because of the interartistic dialogue they establish with the famous building, which is referred to more or less extensively in their plots. The study will prove that the textual references to the Sagrada Familia in each particular case contain important interpretive keys that illuminate the discursive characterization of the texts while at the same time opening a new avenue for reading them. To this end, I start by situating my object of interest within the studies on the literary city, a field where Barcelona has a unique tradition of reflecting on its novel. Then I trace the cultural reception of the Sagrada Familia as evidenced in literary testimonies of the early twentieth century, and continue by documenting the presence of the building in modern, post-Civil War narrative. After that, I explain the conceptual notions and terms on the phenomenon of the intersection between architecture and literature, which will guide the analysis of the texts. Finally, I carry out the literary analysis of the four aforementioned novels. The Sagrada Familia, as well as showing itself to be a versatile metafictional emblem at four different times in modern Spanish narrative, illustrates the possibilities of a literary analysis that takes into account the architectural component of the texts in order to illuminate their comprehension and their characterization. Dissertation/Thesis LEON RIVERO, FRANCISCO (Author) GARCIA, CARLOS-JAVIER (Advisor) VOLEK, EMIL (Committee member) HERNANDEZ-G, MANUEL (Committee member) Arizona State University (Publisher) Modern literature Architecture Urban planning arquitectura y novela ciudad y literatura Gaudi Sagrada Familia Goytisolo Mendoza Aub Marse Literary architecture novela española moderna spa 248 pages Doctoral Dissertation Spanish 2015 Doctoral Dissertation http://hdl.handle.net/2286/R.I.29980 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2015
collection NDLTD
language Spanish
format Doctoral Thesis
sources NDLTD
topic Modern literature
Architecture
Urban planning
arquitectura y novela
ciudad y literatura
Gaudi
Sagrada Familia
Goytisolo
Mendoza
Aub
Marse
Literary architecture
novela española moderna
spellingShingle Modern literature
Architecture
Urban planning
arquitectura y novela
ciudad y literatura
Gaudi
Sagrada Familia
Goytisolo
Mendoza
Aub
Marse
Literary architecture
novela española moderna
Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
description abstract: The temple of the Sagrada Familia, by Gaudí, is nowadays one of the most emblematic buildings of Barcelona, and the most visited monument in Spain. Despite the high popularity surrounding the name of the architect, his great work, still unfinished, has divided public opinion in the city for decades and has starred since its inception in a complex and paradoxical cultural phenomenon. My object of study consists of four major novels of modern Spanish narrative (Antagonía [1973-81], by Luis Goytisolo, La ciudad de los prodigios [1986], by Eduardo Mendoza, Campo cerrado [1943], by Max Aub and El amante bilingüe [1990], by Juan Marsé): all of them stand out because of the interartistic dialogue they establish with the famous building, which is referred to more or less extensively in their plots. The study will prove that the textual references to the Sagrada Familia in each particular case contain important interpretive keys that illuminate the discursive characterization of the texts while at the same time opening a new avenue for reading them. To this end, I start by situating my object of interest within the studies on the literary city, a field where Barcelona has a unique tradition of reflecting on its novel. Then I trace the cultural reception of the Sagrada Familia as evidenced in literary testimonies of the early twentieth century, and continue by documenting the presence of the building in modern, post-Civil War narrative. After that, I explain the conceptual notions and terms on the phenomenon of the intersection between architecture and literature, which will guide the analysis of the texts. Finally, I carry out the literary analysis of the four aforementioned novels. The Sagrada Familia, as well as showing itself to be a versatile metafictional emblem at four different times in modern Spanish narrative, illustrates the possibilities of a literary analysis that takes into account the architectural component of the texts in order to illuminate their comprehension and their characterization. === Dissertation/Thesis === Doctoral Dissertation Spanish 2015
author2 LEON RIVERO, FRANCISCO (Author)
author_facet LEON RIVERO, FRANCISCO (Author)
title Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
title_short Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
title_full Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
title_fullStr Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
title_full_unstemmed Arquitectura y novela: la Sagrada Familia, de Gaudí, en la novela española moderna (Luis Goytisolo, Eduardo Mendoza, Max Aub y Juan Marsé)
title_sort arquitectura y novela: la sagrada familia, de gaudí, en la novela española moderna (luis goytisolo, eduardo mendoza, max aub y juan marsé)
publishDate 2015
url http://hdl.handle.net/2286/R.I.29980
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