From Machine to Instrument: A Composer's Perspective of Turntables Composition

abstract: Since 1999, a small group of groundbreaking orchestral works for turntables and orchestra has surfaced on the concert stage. These compositions explore the possibilities of the turntables and invite an intriguing fusion of musical cultures of the classically trained musician and the hip-ho...

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Other Authors: Ouper, Jeffrey Thomas (Author)
Format: Doctoral Thesis
Language:English
Published: 2014
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.24869
id ndltd-asu.edu-item-24869
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spelling ndltd-asu.edu-item-248692018-06-22T03:04:52Z From Machine to Instrument: A Composer's Perspective of Turntables Composition abstract: Since 1999, a small group of groundbreaking orchestral works for turntables and orchestra has surfaced on the concert stage. These compositions explore the possibilities of the turntables and invite an intriguing fusion of musical cultures of the classically trained musician and the hip-hop DJ. Since DJ turntablists typically follow an improvised tradition and do not read music, the composer must find an effective means of notating the turntables and collaborate with the turntablist in the execution of the work. As interest in turntables composition grows, there is a need for discussion and a compositional guide with advice based on present day works. In effort to contribute a guide for turntablism composition, my research includes a historical and composer perspective that discusses turntables techniques, operation of the equipment, digital technology, hip-hop background, history of the instrument, and works of the past and present with musical excerpts pertaining to the notation and use of the turntables. Specific sources include: RPM by Nicole Lizée, Concerto for Trumpet, Turntables, and Orchestra by Paul Leary, Concerto for Turntables and Orchestra by Gabriel Prokofiev, and Stephen Webber's turntable method book The Art of the DJ Turntable Technique. Interviews with composers Prokofiev, Lizée, and Leary have provided important primary source information regarding their experience with turntablism composition and performance. Unrelated to the above research and attached as an appendix, my composition Andrew's Ritual for Bedtime for chamber orchestra is a single movement for choreographed dance that depicts a mother preparing her energetic young son for bed. The title references the nightly rituals parents undertake in order to prepare their children for bedtime. Dissertation/Thesis Ouper, Jeffrey Thomas (Author) Hackbarth, Glenn (Advisor) Standley, Eileen (Committee member) Feisst, Sabine (Committee member) Demars, James (Committee member) Rockmaker, Jody (Committee member) Arizona State University (Publisher) Music composition concerto hip-hop turntables turntablism eng 305 pages D.M.A. Music 2014 Doctoral Dissertation http://hdl.handle.net/2286/R.I.24869 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2014
collection NDLTD
language English
format Doctoral Thesis
sources NDLTD
topic Music
composition
concerto
hip-hop
turntables
turntablism
spellingShingle Music
composition
concerto
hip-hop
turntables
turntablism
From Machine to Instrument: A Composer's Perspective of Turntables Composition
description abstract: Since 1999, a small group of groundbreaking orchestral works for turntables and orchestra has surfaced on the concert stage. These compositions explore the possibilities of the turntables and invite an intriguing fusion of musical cultures of the classically trained musician and the hip-hop DJ. Since DJ turntablists typically follow an improvised tradition and do not read music, the composer must find an effective means of notating the turntables and collaborate with the turntablist in the execution of the work. As interest in turntables composition grows, there is a need for discussion and a compositional guide with advice based on present day works. In effort to contribute a guide for turntablism composition, my research includes a historical and composer perspective that discusses turntables techniques, operation of the equipment, digital technology, hip-hop background, history of the instrument, and works of the past and present with musical excerpts pertaining to the notation and use of the turntables. Specific sources include: RPM by Nicole Lizée, Concerto for Trumpet, Turntables, and Orchestra by Paul Leary, Concerto for Turntables and Orchestra by Gabriel Prokofiev, and Stephen Webber's turntable method book The Art of the DJ Turntable Technique. Interviews with composers Prokofiev, Lizée, and Leary have provided important primary source information regarding their experience with turntablism composition and performance. Unrelated to the above research and attached as an appendix, my composition Andrew's Ritual for Bedtime for chamber orchestra is a single movement for choreographed dance that depicts a mother preparing her energetic young son for bed. The title references the nightly rituals parents undertake in order to prepare their children for bedtime. === Dissertation/Thesis === D.M.A. Music 2014
author2 Ouper, Jeffrey Thomas (Author)
author_facet Ouper, Jeffrey Thomas (Author)
title From Machine to Instrument: A Composer's Perspective of Turntables Composition
title_short From Machine to Instrument: A Composer's Perspective of Turntables Composition
title_full From Machine to Instrument: A Composer's Perspective of Turntables Composition
title_fullStr From Machine to Instrument: A Composer's Perspective of Turntables Composition
title_full_unstemmed From Machine to Instrument: A Composer's Perspective of Turntables Composition
title_sort from machine to instrument: a composer's perspective of turntables composition
publishDate 2014
url http://hdl.handle.net/2286/R.I.24869
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