Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System
abstract: During the design of interactive dance performances, dancers generate a strong relationship to the responsive media after they are given information about how to use the system. This case study observes a dancer's experience of improvising in a responsive audio system (RAS). A triangu...
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ndltd-asu.edu-item-248592018-06-22T03:04:52Z Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System abstract: During the design of interactive dance performances, dancers generate a strong relationship to the responsive media after they are given information about how to use the system. This case study observes a dancer's experience of improvising in a responsive audio system (RAS). A triangulated analysis and conclusion is formed from Laban Movement Analysis in conjunction with post-experience discussions relating to Optimal Flow. This study examines whether or not providing information about how an audio system responds to movement affects a dancers ability to achieve a heightened state of Embodied Flow while improvising in a RAS. Dissertation/Thesis Akerly, Julie Eileen (Author) Dyer, Becky (Advisor) Coleman, Grisha (Committee member) Ziegler, Christian (Committee member) Arizona State University (Publisher) Dance Music Multimedia Dance Embodied Flow Experiential Interactive Media Movement Analysis eng 34 pages M.F.A. Dance 2014 Masters Thesis http://hdl.handle.net/2286/R.I.24859 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2014 |
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language |
English |
format |
Dissertation |
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topic |
Dance Music Multimedia Dance Embodied Flow Experiential Interactive Media Movement Analysis |
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Dance Music Multimedia Dance Embodied Flow Experiential Interactive Media Movement Analysis Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
description |
abstract: During the design of interactive dance performances, dancers generate a strong relationship to the responsive media after they are given information about how to use the system. This case study observes a dancer's experience of improvising in a responsive audio system (RAS). A triangulated analysis and conclusion is formed from Laban Movement Analysis in conjunction with post-experience discussions relating to Optimal Flow. This study examines whether or not providing information about how an audio system responds to movement affects a dancers ability to achieve a heightened state of Embodied Flow while improvising in a RAS. === Dissertation/Thesis === M.F.A. Dance 2014 |
author2 |
Akerly, Julie Eileen (Author) |
author_facet |
Akerly, Julie Eileen (Author) |
title |
Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
title_short |
Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
title_full |
Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
title_fullStr |
Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
title_full_unstemmed |
Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System |
title_sort |
embodied flow in experiential media systems: a study of the dancer's lived experience in a responsive audio system |
publishDate |
2014 |
url |
http://hdl.handle.net/2286/R.I.24859 |
_version_ |
1718700350720966656 |