KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION

This dissertation is concerned with the gendered discourse of nation and home where women carry the symbolic duty of holders of a pure, uncontaminated culture passively confined to the domestic space. I consider two commonplace tropes, the woman-as-nation metaphor and the Victorian angel in the hous...

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Main Author: Thomas, Reena
Other Authors: Raval, Suresh
Language:en_US
Published: The University of Arizona. 2014
Subjects:
Online Access:http://hdl.handle.net/10150/555838
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spelling ndltd-arizona.edu-oai-arizona.openrepository.com-10150-5558382015-10-23T05:43:08Z KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION Thomas, Reena Raval, Suresh Raval, Suresh Monsman, Gerald Cooper Alarcón, Daniel gender modernism nationalism postcolonialism representation English British This dissertation is concerned with the gendered discourse of nation and home where women carry the symbolic duty of holders of a pure, uncontaminated culture passively confined to the domestic space. I consider two commonplace tropes, the woman-as-nation metaphor and the Victorian angel in the house, both of which convey a limited view of women's agency and her significance in simultaneously resisting and ratifying patriarchal visions of nation and gender. The novels in this study document various phases of nation building under periods of colonialism and postcolonialism, and each features the plight of women affected by the realities of sham democracies and political instability. My analysis rests on the claim that postcolonial authors continue the inquiries into the ironic and futile foundations on which nation and identity is built which define modernist despair. I assert the value in understanding how women respond to disillusionment across cultures in an attempt to recover the experience of women and her political consciousness, granting a relevance to the role women play in textual deliberations on political skepticism and political idealism often reserved for male actors. 2014 text Electronic Dissertation http://hdl.handle.net/10150/555838 en_US Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. The University of Arizona.
collection NDLTD
language en_US
sources NDLTD
topic gender
modernism
nationalism
postcolonialism
representation
English
British
spellingShingle gender
modernism
nationalism
postcolonialism
representation
English
British
Thomas, Reena
KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
description This dissertation is concerned with the gendered discourse of nation and home where women carry the symbolic duty of holders of a pure, uncontaminated culture passively confined to the domestic space. I consider two commonplace tropes, the woman-as-nation metaphor and the Victorian angel in the house, both of which convey a limited view of women's agency and her significance in simultaneously resisting and ratifying patriarchal visions of nation and gender. The novels in this study document various phases of nation building under periods of colonialism and postcolonialism, and each features the plight of women affected by the realities of sham democracies and political instability. My analysis rests on the claim that postcolonial authors continue the inquiries into the ironic and futile foundations on which nation and identity is built which define modernist despair. I assert the value in understanding how women respond to disillusionment across cultures in an attempt to recover the experience of women and her political consciousness, granting a relevance to the role women play in textual deliberations on political skepticism and political idealism often reserved for male actors.
author2 Raval, Suresh
author_facet Raval, Suresh
Thomas, Reena
author Thomas, Reena
author_sort Thomas, Reena
title KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
title_short KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
title_full KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
title_fullStr KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
title_full_unstemmed KILLING THE `ANGEL IN THE HOUSE': THE REPRESENTATION OF WOMEN AND NATION BUILDING IN TWENTIETH-CENTURY ENGLISH AND POSTCOLONIAL POLITICAL FICTION
title_sort killing the `angel in the house': the representation of women and nation building in twentieth-century english and postcolonial political fiction
publisher The University of Arizona.
publishDate 2014
url http://hdl.handle.net/10150/555838
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