Revolutionary etudes: The expansion of piano technique exploited in the Twelve New Etudes of William Bolcom
The first etudes, written in the seventeenth century, were study pieces created for the development of a particular aspect of performing technique. Chopin and Liszt are acknowledged to be the major figures in the later development of the concert etude. These contain not only the expected studies of...
Main Author: | Lee, Ji Sun |
---|---|
Other Authors: | Zumbro, Nicholas |
Language: | en_US |
Published: |
The University of Arizona.
2001
|
Subjects: | |
Online Access: | http://hdl.handle.net/10150/280375 |
Similar Items
-
A Performance Interpretation on William Bolcom’s Twelve New Etudes for Piano from Book I and Book II
by: Chen Tzu-I, et al. -
A Style Analysis of William Bolcom’s Complete Rags for Piano
by: YU, YEUNG
Published: (2007) -
An exploration and analysis of William Bolcom's "Black Host"
Published: (2011) -
WORKS FOR VIOLIN AND PIANO BY WILLIAM BOLCOM: A STUDY IN THE DEVELOPEMENT OF HIS MUSICAL STYLE
by: LIM, TZE YEAN
Published: (2002) -
An analysis of three violin sonatas by William Bolcom
by: Baldwin, Richard Philip
Published: (1996)