Place, Performance, and Social Memory in the 1890s Ghost Dance

This study examines the role of place and ritual performance in the construction of subjectivities and social memories in relation to the 1890s Ghost Dance, a North American pan-Indian ritually-centered social movement that began in western Nevada and spread from the West Coast through the Great Pla...

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Main Author: Carroll, Kristen Jean
Other Authors: Stoffle, Richard W.
Language:EN
Published: The University of Arizona. 2007
Subjects:
Online Access:http://hdl.handle.net/10150/195401
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spelling ndltd-arizona.edu-oai-arizona.openrepository.com-10150-1954012015-10-23T04:42:39Z Place, Performance, and Social Memory in the 1890s Ghost Dance Carroll, Kristen Jean Stoffle, Richard W. Stoffle, Richard W. Babcock, Barbara Mendoza-Denton, Norma Schiffer, Michael Nieves Zedeno, Maria cultural landscapes social memory ghost dance place performance subjectivity This study examines the role of place and ritual performance in the construction of subjectivities and social memories in relation to the 1890s Ghost Dance, a North American pan-Indian ritually-centered social movement that began in western Nevada and spread from the West Coast through the Great Plains during the last decade of the nineteenth century. This dissertation also explores efforts to alternatively preserve, promote, and eradicate practices representing two inherently contradictory spatial regimes, or ways of living as Beings-in-the-World. Such an analysis is done through the study of ritual and social responses to the spatial disruptions and collective identity ruptures evinced by Westward expansionism on the native peoples of the Great Basin and Colorado Plateau called the Numa. This research is designed to advance knowledge of Ghost Dance ceremonial sites and ritual praxis in the Great Basin and Colorado Plateau. This is done through the isolation of physiographic characteristics, performance characteristics, and cultural inscription practices contributing to the selection, valuation, and use of particular ritual settings for Ghost Dance performances. I hypothesized that three types of sites, World Balancing Places, Regional Balancing Sites, and Local Balancing Sites, or Regions of Refuge, were used for ceremonialism associated with the Ghost Dance among Numic people. Type I sites are ceremonial sites that were used consistently before the arrival of Euroamericans and continued to be used during the late nineteenth century for the performance of the Ghost Dances. Both World and Local Balancing Places are Type 1 Sites. Type II sites are defined as places that were selected as ceremonial sites after encroachment activities made the performance characteristics of Type I Sites nonviable. The social unit of the present analysis is the Great Basin and Colorado Plateau. The current methodological framework has been formulated with the intent of producing a holistic treatment of Numic ritual landscapes as evidenced in Ghost Dance ceremonial sites. To this end, I have adopted an intersubjective and iterative approach that utilizes performance and narrative studies, behavioral archaeology, cultural landscape studies, and phenomenology. This research aims to contribute to the theory and methodology underscoring National Historic Preservation efforts. 2007 text Electronic Dissertation http://hdl.handle.net/10150/195401 659747300 2154 EN Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. The University of Arizona.
collection NDLTD
language EN
sources NDLTD
topic cultural landscapes
social memory
ghost dance
place
performance
subjectivity
spellingShingle cultural landscapes
social memory
ghost dance
place
performance
subjectivity
Carroll, Kristen Jean
Place, Performance, and Social Memory in the 1890s Ghost Dance
description This study examines the role of place and ritual performance in the construction of subjectivities and social memories in relation to the 1890s Ghost Dance, a North American pan-Indian ritually-centered social movement that began in western Nevada and spread from the West Coast through the Great Plains during the last decade of the nineteenth century. This dissertation also explores efforts to alternatively preserve, promote, and eradicate practices representing two inherently contradictory spatial regimes, or ways of living as Beings-in-the-World. Such an analysis is done through the study of ritual and social responses to the spatial disruptions and collective identity ruptures evinced by Westward expansionism on the native peoples of the Great Basin and Colorado Plateau called the Numa. This research is designed to advance knowledge of Ghost Dance ceremonial sites and ritual praxis in the Great Basin and Colorado Plateau. This is done through the isolation of physiographic characteristics, performance characteristics, and cultural inscription practices contributing to the selection, valuation, and use of particular ritual settings for Ghost Dance performances. I hypothesized that three types of sites, World Balancing Places, Regional Balancing Sites, and Local Balancing Sites, or Regions of Refuge, were used for ceremonialism associated with the Ghost Dance among Numic people. Type I sites are ceremonial sites that were used consistently before the arrival of Euroamericans and continued to be used during the late nineteenth century for the performance of the Ghost Dances. Both World and Local Balancing Places are Type 1 Sites. Type II sites are defined as places that were selected as ceremonial sites after encroachment activities made the performance characteristics of Type I Sites nonviable. The social unit of the present analysis is the Great Basin and Colorado Plateau. The current methodological framework has been formulated with the intent of producing a holistic treatment of Numic ritual landscapes as evidenced in Ghost Dance ceremonial sites. To this end, I have adopted an intersubjective and iterative approach that utilizes performance and narrative studies, behavioral archaeology, cultural landscape studies, and phenomenology. This research aims to contribute to the theory and methodology underscoring National Historic Preservation efforts.
author2 Stoffle, Richard W.
author_facet Stoffle, Richard W.
Carroll, Kristen Jean
author Carroll, Kristen Jean
author_sort Carroll, Kristen Jean
title Place, Performance, and Social Memory in the 1890s Ghost Dance
title_short Place, Performance, and Social Memory in the 1890s Ghost Dance
title_full Place, Performance, and Social Memory in the 1890s Ghost Dance
title_fullStr Place, Performance, and Social Memory in the 1890s Ghost Dance
title_full_unstemmed Place, Performance, and Social Memory in the 1890s Ghost Dance
title_sort place, performance, and social memory in the 1890s ghost dance
publisher The University of Arizona.
publishDate 2007
url http://hdl.handle.net/10150/195401
work_keys_str_mv AT carrollkristenjean placeperformanceandsocialmemoryinthe1890sghostdance
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