Benjamin Britten's "Cantata Misericordium", Opus 69: A theoretical analysis and a conductor's guide to gestural analysis.
A complete theoretical and gestural analysis of Benjamin Britten's Opus 69 has usually been treated in a separate and, in terms of choral-orchestral synthesis, exclusive manner. Twentieth-century music reveals more technical complexities than music from earlier periods. For the professional con...
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| Language: | en |
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The University of Arizona.
1993
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| Online Access: | http://hdl.handle.net/10150/186533 |