An investigation into the relationship of instrumental density and dynamics of the Fourth Symphony by Charles Ives.
This research establishes an initial step in codifying a specific and formalized textural theory of music by developing a basic system for illuminating textural activity. The musical elements integral to this system include the rhythm, instrumental groups, and dynamics. In order to study the texture...
Main Author: | Glarner, Robert Lewis. |
---|---|
Other Authors: | Kolosick, J. Timothy |
Language: | en |
Published: |
The University of Arizona.
1993
|
Subjects: | |
Online Access: | http://hdl.handle.net/10150/186184 |
Similar Items
-
The first symphony of Charles Ives: a historical and analytical survey
by: Muffitt, Timothy Wellington
Published: (1986) -
Charles Ives and Transcendentalism in the 114 Songs
by: Graefe, Emily
Published: (2004) -
The Fourth Sonata for Violin and Piano, "Children's Day at the Camp Meeting" by Charles Ives: Contextual, structural, and stylistic considerations
by: Thompson, William Curt
Published: (2009) - THE ORGAN SYMPHONIES OF CHARLES MARIE WIDOR
-
Art Songs of Charles Ives: Accessible to Beginning Singers
Published: (2012)