To the boundary of the zero: postmodernism as whimsical tragedy in Tristram Shandy: a cock and bull story and 24 hour party people
This paper attempts to solve the problem of postmodern tragedy by examining two films by British director Michael Winterbottom, Tristram Shandy: a Cock and Bull Story, and 24 Hour Party People. Actually, I am not certain that the notion of postmodern tragedy is problematic as much as it is non-tradi...
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| Format: | Others |
| Language: | en_US |
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Wichita State University
2011
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| Online Access: | http://hdl.handle.net/10057/3740 |