Intertwinings for full orchestra: a composition
Intertwinings is written for full orchestra, and is in one continuous movement. It takes as its subject certain aspects from human nature. The human nature is very complex. Sometimes people project extroverted actions, while at the same time disguising their inner thoughts and emotions. This work co...
Main Author: | |
---|---|
Other Authors: | |
Format: | Others |
Language: | en_US |
Published: |
2007
|
Subjects: | |
Online Access: | http://hdl.handle.net/10057/1177 |
id |
ndltd-WICHITA-oai-soar.wichita.edu-10057-1177 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-WICHITA-oai-soar.wichita.edu-10057-11772014-04-24T04:55:04ZIntertwinings for full orchestra: a compositionSvast, MajaScoresMusicOrchestral musicElectronic dissertationsIntertwinings is written for full orchestra, and is in one continuous movement. It takes as its subject certain aspects from human nature. The human nature is very complex. Sometimes people project extroverted actions, while at the same time disguising their inner thoughts and emotions. This work consists of three main themes, which represent three different characters. These themes first appear alone and then later in combination. They clash together producing positive and negative emotions that culminate with all three of them erupting together towards the end of the piece (beginning at measure 298 until the end). The piece ends abruptly leaving the questions unanswered.Instrumentation -- Program notes and analysis -- IntertwiningsThesis (M.M.)--Wichita State University, College of Fine Arts, School of MusicMays, Walter2007-12-18T17:41:48Z2007-12-18T17:41:48Z20072007-05Thesis1 score (v, 41 leaves)1360204 bytesapplication/pdft07053http://hdl.handle.net/10057/1177en_USCopyright Maja Švast, 2007. All rights reserved. |
collection |
NDLTD |
language |
en_US |
format |
Others
|
sources |
NDLTD |
topic |
Scores Music Orchestral music Electronic dissertations |
spellingShingle |
Scores Music Orchestral music Electronic dissertations Svast, Maja Intertwinings for full orchestra: a composition |
description |
Intertwinings is written for full orchestra, and is in one continuous movement. It
takes as its subject certain aspects from human nature. The human nature is very complex.
Sometimes people project extroverted actions, while at the same time disguising their
inner thoughts and emotions. This work consists of three main themes, which represent
three different characters. These themes first appear alone and then later in combination.
They clash together producing positive and negative emotions that culminate with all
three of them erupting together towards the end of the piece (beginning at measure 298
until the end). The piece ends abruptly leaving the questions unanswered. === Instrumentation -- Program notes and analysis -- Intertwinings === Thesis (M.M.)--Wichita State University, College of Fine Arts, School of Music |
author2 |
Mays, Walter |
author_facet |
Mays, Walter Svast, Maja |
author |
Svast, Maja |
author_sort |
Svast, Maja |
title |
Intertwinings for full orchestra: a composition |
title_short |
Intertwinings for full orchestra: a composition |
title_full |
Intertwinings for full orchestra: a composition |
title_fullStr |
Intertwinings for full orchestra: a composition |
title_full_unstemmed |
Intertwinings for full orchestra: a composition |
title_sort |
intertwinings for full orchestra: a composition |
publishDate |
2007 |
url |
http://hdl.handle.net/10057/1177 |
work_keys_str_mv |
AT svastmaja intertwiningsforfullorchestraacomposition |
_version_ |
1716666190356545536 |