Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.

The depiction of the orient in the German literature during the Enlightenment and the Romantic period is unsurpassed in terms of its diversity. Intercultural communication and the representation of multicultural societies are not only phenomena occurring in the 20th century, but fictional images of...

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Main Author: Schellmann, Lisa Cornelia
Other Authors: John A. McCarthy
Format: Others
Language:en
Published: VANDERBILT 2013
Subjects:
Online Access:http://etd.library.vanderbilt.edu/available/etd-12042013-184058/
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spelling ndltd-VANDERBILT-oai-VANDERBILTETD-etd-12042013-1840582013-12-16T05:01:49Z Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen. Schellmann, Lisa Cornelia German The depiction of the orient in the German literature during the Enlightenment and the Romantic period is unsurpassed in terms of its diversity. Intercultural communication and the representation of multicultural societies are not only phenomena occurring in the 20th century, but fictional images of the orient shaped modernity and still contributes to mutual acceptance among ethnical groups. This cultural sphere was a true inspiration for German literature comprising various discourses. They manifest in the dramatical poem Nathan der Weise, which was written by Gotthold Ephraim Lessing in 1779, and Novalisʼ romantic novel Heinrich von Ofterdingen (1802). Both serve as samples for the German oriental discourse which is distinct from the latter of other European countries. In Lessingʼs Nathan der Weise, the orient is a region of religious tolerance. In contrast to many other pieces of literature of that period, it is not the Christians serving as role model for human and ethical behavior, but Jewish Nathan, who is the embodiment of wisdom and benevolence. Moreover, the text breaks with gender stereotypes, since women are depicted as strong-willed and independent who influence male protagonists. The orient in the novel Heinrich von Ofterdingen is depicted as the source of poetry and religion. The acquaintance with this region serves as foundation for the fusion of orient and occident. The romantic idea of unity and universality are represented by this cultural sphere. Religion and poetry merge in the novel to create a universal religion. The protagonist is being confronted with oriental figures who have a striking impact on his career to become a poet. John A. McCarthy Johannes Endres Christoph Zeller VANDERBILT 2013-12-15 text application/pdf http://etd.library.vanderbilt.edu/available/etd-12042013-184058/ http://etd.library.vanderbilt.edu/available/etd-12042013-184058/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
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language en
format Others
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topic German
spellingShingle German
Schellmann, Lisa Cornelia
Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
description The depiction of the orient in the German literature during the Enlightenment and the Romantic period is unsurpassed in terms of its diversity. Intercultural communication and the representation of multicultural societies are not only phenomena occurring in the 20th century, but fictional images of the orient shaped modernity and still contributes to mutual acceptance among ethnical groups. This cultural sphere was a true inspiration for German literature comprising various discourses. They manifest in the dramatical poem Nathan der Weise, which was written by Gotthold Ephraim Lessing in 1779, and Novalisʼ romantic novel Heinrich von Ofterdingen (1802). Both serve as samples for the German oriental discourse which is distinct from the latter of other European countries. In Lessingʼs Nathan der Weise, the orient is a region of religious tolerance. In contrast to many other pieces of literature of that period, it is not the Christians serving as role model for human and ethical behavior, but Jewish Nathan, who is the embodiment of wisdom and benevolence. Moreover, the text breaks with gender stereotypes, since women are depicted as strong-willed and independent who influence male protagonists. The orient in the novel Heinrich von Ofterdingen is depicted as the source of poetry and religion. The acquaintance with this region serves as foundation for the fusion of orient and occident. The romantic idea of unity and universality are represented by this cultural sphere. Religion and poetry merge in the novel to create a universal religion. The protagonist is being confronted with oriental figures who have a striking impact on his career to become a poet.
author2 John A. McCarthy
author_facet John A. McCarthy
Schellmann, Lisa Cornelia
author Schellmann, Lisa Cornelia
author_sort Schellmann, Lisa Cornelia
title Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
title_short Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
title_full Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
title_fullStr Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
title_full_unstemmed Das Motiv des Orients in der deutschen Literatur der Aufklärung und Romantik. Gotthold Ephraim Lessings Nathan der Weise und Novalisʼ Heinrich von Ofterdingen.
title_sort das motiv des orients in der deutschen literatur der aufklärung und romantik. gotthold ephraim lessings nathan der weise und novalisʼ heinrich von ofterdingen.
publisher VANDERBILT
publishDate 2013
url http://etd.library.vanderbilt.edu/available/etd-12042013-184058/
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