The Wandering Eye: Dreaming the Globe in Faulkner and Walcott
This dissertation is a study of the interplay of regionalism and globalization in the work of William Faulkner (1897-1962) and Derek Walcott (1930-). Through a survey of contemporary criticism delineating a common postplantation region that encompasses both the U.S. South and the Caribbean and an in...
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ndltd-VANDERBILT-oai-VANDERBILTETD-etd-05232009-2020432013-01-08T17:16:30Z The Wandering Eye: Dreaming the Globe in Faulkner and Walcott Spoth, Daniel Frederick English This dissertation is a study of the interplay of regionalism and globalization in the work of William Faulkner (1897-1962) and Derek Walcott (1930-). Through a survey of contemporary criticism delineating a common postplantation region that encompasses both the U.S. South and the Caribbean and an interrogation of the discourse on relationality and chaotic literary production by such theorists as Édouard Glissant and Antonio Benítez-Rojo, I conclude that the indicated authors, in their capacity as writers incontrovertibly attached to specific regions (Faulkners Yoknapatawpha County and Walcotts St. Lucia) yet simultaneously belonging to global networks of literary interchange, evince a unique redeployment of regional styles within postmodern currents of locational indeterminacy. My major claims are as follows: firstly, the literary region, rather than being locked in an oppositional relationship with forces of globalization and internationalism, is dialogically linked with those forces; secondly, regionalism, far from forbidding inclusion within a global reading community, is in fact generative of interregional comparability; and thirdly, attempts to destabilize or decentralize the notion of the region in literature are another way of reifying regional distinction. I support these claims through surveys of existing and emerging criticism of these authors works and careers, interpretations of seldom-studied early translations of Faulkners work into German, and close readings of a selection of novels and poems, most prominently Faulkners Absalom, Absalom! (1936), Go Down, Moses (1942), and A Fable (1954), and Walcotts The Gulf (1969), Omeros (1990), and The Prodigal (2004). In all of these sources, I show, conceptions of these authors home regions attempt to bring those regions into dialogue with other locales, yet even as these stable regional vantage points proliferate outwards into global space, they simultaneously pull inward, toward a reincarnation of regional particularities. Ultimately, I suggest that the region as manifested in these two authors writings is less destroyed or defeated by the decentralizing pressures of the globe than implicated in a mutually constitutive relationship with those pressures. Jared Stark Cecelia Tichi Vera M. Kutzinski Michael P. Kreyling VANDERBILT 2009-06-05 text application/pdf http://etd.library.vanderbilt.edu/available/etd-05232009-202043/ http://etd.library.vanderbilt.edu/available/etd-05232009-202043/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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English Spoth, Daniel Frederick The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
description |
This dissertation is a study of the interplay of regionalism and globalization in the work of William Faulkner (1897-1962) and Derek Walcott (1930-). Through a survey of contemporary criticism delineating a common postplantation region that encompasses both the U.S. South and the Caribbean and an interrogation of the discourse on relationality and chaotic literary production by such theorists as Édouard Glissant and Antonio Benítez-Rojo, I conclude that the indicated authors, in their capacity as writers incontrovertibly attached to specific regions (Faulkners Yoknapatawpha County and Walcotts St. Lucia) yet simultaneously belonging to global networks of literary interchange, evince a unique redeployment of regional styles within postmodern currents of locational indeterminacy. My major claims are as follows: firstly, the literary region, rather than being locked in an oppositional relationship with forces of globalization and internationalism, is dialogically linked with those forces; secondly, regionalism, far from forbidding inclusion within a global reading community, is in fact generative of interregional comparability; and thirdly, attempts to destabilize or decentralize the notion of the region in literature are another way of reifying regional distinction. I support these claims through surveys of existing and emerging criticism of these authors works and careers, interpretations of seldom-studied early translations of Faulkners work into German, and close readings of a selection of novels and poems, most prominently Faulkners Absalom, Absalom! (1936), Go Down, Moses (1942), and A Fable (1954), and Walcotts The Gulf (1969), Omeros (1990), and The Prodigal (2004). In all of these sources, I show, conceptions of these authors home regions attempt to bring those regions into dialogue with other locales, yet even as these stable regional vantage points proliferate outwards into global space, they simultaneously pull inward, toward a reincarnation of regional particularities. Ultimately, I suggest that the region as manifested in these two authors writings is less destroyed or defeated by the decentralizing pressures of the globe than implicated in a mutually constitutive relationship with those pressures. |
author2 |
Jared Stark |
author_facet |
Jared Stark Spoth, Daniel Frederick |
author |
Spoth, Daniel Frederick |
author_sort |
Spoth, Daniel Frederick |
title |
The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
title_short |
The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
title_full |
The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
title_fullStr |
The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
title_full_unstemmed |
The Wandering Eye: Dreaming the Globe in Faulkner and Walcott |
title_sort |
wandering eye: dreaming the globe in faulkner and walcott |
publisher |
VANDERBILT |
publishDate |
2009 |
url |
http://etd.library.vanderbilt.edu/available/etd-05232009-202043/ |
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AT spothdanielfrederick thewanderingeyedreamingtheglobeinfaulknerandwalcott AT spothdanielfrederick wanderingeyedreamingtheglobeinfaulknerandwalcott |
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