My white picket fence : experimentation in theatrical healing
In this thesis I define theatrical healing as using theater to practice healing. I focus on the creative impulse for and process of two plays: Scavenger Heart and The Chronicles of Bad Ass Women. In order to define these texts within the framework of theatrical healing I start at the beginning, when...
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ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2012-05-55412015-09-20T17:06:35ZMy white picket fence : experimentation in theatrical healingExperimentation in theatrical healingGipson, Holli ChristineTheatrical healingTheaterIn this thesis I define theatrical healing as using theater to practice healing. I focus on the creative impulse for and process of two plays: Scavenger Heart and The Chronicles of Bad Ass Women. In order to define these texts within the framework of theatrical healing I start at the beginning, when and why I first came to theater, and move from there to the development and productions of these two experiments. I explain how the design of these plays was driven by a conscious, and sometimes unconscious, ambition to heal very specific afflictions. I hope this delineation places Scavenger Heart and Chronicles on two points along a trajectory of my practice in theatrical healing.text2012-06-28T15:36:13Z2012-06-28T15:36:13Z2012-052012-06-28May 20122012-06-28T15:36:19Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2012-05-55412152/ETD-UT-2012-05-5541eng |
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English |
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Others
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Theatrical healing Theater |
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Theatrical healing Theater Gipson, Holli Christine My white picket fence : experimentation in theatrical healing |
description |
In this thesis I define theatrical healing as using theater to practice healing. I focus on the creative impulse for and process of two plays: Scavenger Heart and The Chronicles of Bad Ass Women. In order to define these texts within the framework of theatrical healing I start at the beginning, when and why I first came to theater, and move from there to the development and productions of these two experiments. I explain how the design of these plays was driven by a conscious, and sometimes unconscious, ambition to heal very specific afflictions. I hope this delineation places Scavenger Heart and Chronicles on two points along a trajectory of my practice in theatrical healing. === text |
author |
Gipson, Holli Christine |
author_facet |
Gipson, Holli Christine |
author_sort |
Gipson, Holli Christine |
title |
My white picket fence : experimentation in theatrical healing |
title_short |
My white picket fence : experimentation in theatrical healing |
title_full |
My white picket fence : experimentation in theatrical healing |
title_fullStr |
My white picket fence : experimentation in theatrical healing |
title_full_unstemmed |
My white picket fence : experimentation in theatrical healing |
title_sort |
my white picket fence : experimentation in theatrical healing |
publishDate |
2012 |
url |
http://hdl.handle.net/2152/ETD-UT-2012-05-5541 |
work_keys_str_mv |
AT gipsonhollichristine mywhitepicketfenceexperimentationintheatricalhealing AT gipsonhollichristine experimentationintheatricalhealing |
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1716822545785683968 |