Artaud's "Daughters" : "Plague," "Double," and "Cruelty" as feminist performance practices of transformation
The purpose of this study was to identify Artaudian criteria contained in three different performance practices including (1) a television performance, (2) a live performance, and (3) a workshop performance. These included, respectively, (1) an episode from The X-Files television series; (2) Metamor...
Main Author: | Barfield, Heather Leigh |
---|---|
Format: | Others |
Language: | English |
Published: |
2012
|
Subjects: | |
Online Access: | http://hdl.handle.net/2152/ETD-UT-2012-05-5157 |
Similar Items
-
Experimentar Artaud
by: Luciana da Costa Dias, et al.
Published: (2019-11-01) -
Psychologie des Stils: Autorpsyche, Erzählanalyse und die Poetik Antonin Artauds
by: Andrea Gremels, et al.
Published: (2019-06-01) -
Anarchic Reflection and the Crisis of Krisis: Working with Artaud
by: Joel White
Published: (2018-08-01) -
L’avatar du Moi : l’évolution théorique de la poétique d’Antonin Artaud
by: Kumaki, Atsushi
Published: (2011) -
Artaud, Arrabal e Nós: estudo de processo criação cênica
by: Narciso Telles
Published: (2011-07-01)