Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem

Compared to the early days of China’s New Documentary Movement in the 1990s, Chinese independent documentary in the past decade has become more diverse in topic and style, thanks to technologies such as digital video cameras and the internet. Independent documentaries capture a fast-changing China i...

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Main Author: Yang, Jing
Format: Others
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/2152/ETD-UT-2011-08-4345
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spelling ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2011-08-43452015-09-20T17:03:24ZTango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystemYang, JingChinese independent documentaryFilm industryDocumentaryFilm festivalChinaGlobalNationalLocalProductionExhibitionDistributionCompared to the early days of China’s New Documentary Movement in the 1990s, Chinese independent documentary in the past decade has become more diverse in topic and style, thanks to technologies such as digital video cameras and the internet. Independent documentaries capture a fast-changing China in progress, and have thus drawn scholarly attention from cultural or social studies perspectives. However, industrial development in the past decade has often been neglected in favor of textual analysis of films. Since the marketization of independent documentaries in the 1990s was mainly through international film festivals, and a domestic industry has been lacking, it is easy to assume that Chinese independent documentarians today still have to follow the same path as their counterparts in the 1990s. However, my research on the Chinese independent documentary scene in Beijing in 2009 showed me a picture of a burgeoning domestic industry for independent documentaries, with a handful of newly emerged multi-functional independent film organizations practicing production, distribution and exhibition. Since a real industry has not yet formed, I use “ecosystem” instead of “industry” in the context of Chinese independent documentary. This study compares three representative organizations which are different from each other in nature and emphases, from their birth and evolution to their work and strategies. I argue that these organizations have created new possibilities and opportunities for today’s Chinese independent documentaries, through their different strategies in balancing themselves in a three-legged system of the global, national and local forces and resources.text2011-09-21T19:20:58Z2011-09-21T19:20:58Z2011-082011-09-21August 20112011-09-21T19:21:10Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2011-08-43452152/ETD-UT-2011-08-4345eng
collection NDLTD
language English
format Others
sources NDLTD
topic Chinese independent documentary
Film industry
Documentary
Film festival
China
Global
National
Local
Production
Exhibition
Distribution
spellingShingle Chinese independent documentary
Film industry
Documentary
Film festival
China
Global
National
Local
Production
Exhibition
Distribution
Yang, Jing
Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
description Compared to the early days of China’s New Documentary Movement in the 1990s, Chinese independent documentary in the past decade has become more diverse in topic and style, thanks to technologies such as digital video cameras and the internet. Independent documentaries capture a fast-changing China in progress, and have thus drawn scholarly attention from cultural or social studies perspectives. However, industrial development in the past decade has often been neglected in favor of textual analysis of films. Since the marketization of independent documentaries in the 1990s was mainly through international film festivals, and a domestic industry has been lacking, it is easy to assume that Chinese independent documentarians today still have to follow the same path as their counterparts in the 1990s. However, my research on the Chinese independent documentary scene in Beijing in 2009 showed me a picture of a burgeoning domestic industry for independent documentaries, with a handful of newly emerged multi-functional independent film organizations practicing production, distribution and exhibition. Since a real industry has not yet formed, I use “ecosystem” instead of “industry” in the context of Chinese independent documentary. This study compares three representative organizations which are different from each other in nature and emphases, from their birth and evolution to their work and strategies. I argue that these organizations have created new possibilities and opportunities for today’s Chinese independent documentaries, through their different strategies in balancing themselves in a three-legged system of the global, national and local forces and resources. === text
author Yang, Jing
author_facet Yang, Jing
author_sort Yang, Jing
title Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
title_short Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
title_full Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
title_fullStr Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
title_full_unstemmed Tango with the global, national, and local : new multi-functional organizations in the Chinese independent documentary ecosystem
title_sort tango with the global, national, and local : new multi-functional organizations in the chinese independent documentary ecosystem
publishDate 2011
url http://hdl.handle.net/2152/ETD-UT-2011-08-4345
work_keys_str_mv AT yangjing tangowiththeglobalnationalandlocalnewmultifunctionalorganizationsinthechineseindependentdocumentaryecosystem
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