Literacy as an interpretive art

Children as young as three seem already to possess amazing knowledge about what practice in a certain context is appropriate and what is not. This study investigated very young children’s literacy practices in an artifact-rich environment, a children’s museum. It focused on young children’s experien...

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Bibliographic Details
Main Author: Cheng, An-Chih
Format: Others
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/2152/ETD-UT-2010-05-812
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spelling ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2010-05-8122015-09-20T16:54:45ZLiteracy as an interpretive artCheng, An-ChihLiteracyChildren’s literacyLiteracy practicesChildren's museumsSocializationPoststructuralismCultural artifactsChildren as young as three seem already to possess amazing knowledge about what practice in a certain context is appropriate and what is not. This study investigated very young children’s literacy practices in an artifact-rich environment, a children’s museum. It focused on young children’s experience of enculturation such as how they respond to the symbolic qualities of cultural artifacts as well as their experience of socialization with teachers and peers. The research methodology involved photography and semiotic analysis based on a post-discourse perspective derived from post-modernism, post-structuralism, and critical theory. Specifically, the works of Bourdieu, Foucault, and Baudrillard were the theoretical basis of this dissertation. The findings indicate that children's literacy practices were context contingent and power laden, and that photography, as a means to study embodied literacy experiences, froze the moment of habitus and capital and revealed children’s sociohistorical backgrounds and traces from the broader society. The implications for early school education and critical pedagogy are also discussed.text2010-09-21T21:35:13Z2010-09-21T21:35:29Z2010-09-21T21:35:13Z2010-09-21T21:35:29Z2010-052010-09-21May 20102010-09-21T21:35:29Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2010-05-812eng
collection NDLTD
language English
format Others
sources NDLTD
topic Literacy
Children’s literacy
Literacy practices
Children's museums
Socialization
Poststructuralism
Cultural artifacts
spellingShingle Literacy
Children’s literacy
Literacy practices
Children's museums
Socialization
Poststructuralism
Cultural artifacts
Cheng, An-Chih
Literacy as an interpretive art
description Children as young as three seem already to possess amazing knowledge about what practice in a certain context is appropriate and what is not. This study investigated very young children’s literacy practices in an artifact-rich environment, a children’s museum. It focused on young children’s experience of enculturation such as how they respond to the symbolic qualities of cultural artifacts as well as their experience of socialization with teachers and peers. The research methodology involved photography and semiotic analysis based on a post-discourse perspective derived from post-modernism, post-structuralism, and critical theory. Specifically, the works of Bourdieu, Foucault, and Baudrillard were the theoretical basis of this dissertation. The findings indicate that children's literacy practices were context contingent and power laden, and that photography, as a means to study embodied literacy experiences, froze the moment of habitus and capital and revealed children’s sociohistorical backgrounds and traces from the broader society. The implications for early school education and critical pedagogy are also discussed. === text
author Cheng, An-Chih
author_facet Cheng, An-Chih
author_sort Cheng, An-Chih
title Literacy as an interpretive art
title_short Literacy as an interpretive art
title_full Literacy as an interpretive art
title_fullStr Literacy as an interpretive art
title_full_unstemmed Literacy as an interpretive art
title_sort literacy as an interpretive art
publishDate 2010
url http://hdl.handle.net/2152/ETD-UT-2010-05-812
work_keys_str_mv AT chenganchih literacyasaninterpretiveart
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