Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
This master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ...
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ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2010-05-14762015-09-20T16:55:57ZChica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!Uzendoski, Andrew GreggGenre theoryMass cultureConsumptionChic litChica litCultural appropriationNina Marie MartínezThis master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ methods of cultural appropriation in order to articulate an oppositional voice. In particular, Martinez’s literary intervention of the trademark symbol subverts dominant forms of consumption (and genre) to expose how her protagonists emerge as subjective, discerning consumers in her fictional Californian town.text2010-11-30T22:29:41Z2010-11-30T22:29:47Z2010-11-30T22:29:41Z2010-11-30T22:29:47Z2010-052010-11-30May 20102010-11-30T22:29:47Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2010-05-1476eng |
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NDLTD |
language |
English |
format |
Others
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sources |
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topic |
Genre theory Mass culture Consumption Chic lit Chica lit Cultural appropriation Nina Marie Martínez |
spellingShingle |
Genre theory Mass culture Consumption Chic lit Chica lit Cultural appropriation Nina Marie Martínez Uzendoski, Andrew Gregg Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
description |
This master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ methods of cultural appropriation in order to articulate an oppositional voice. In particular, Martinez’s literary intervention of the trademark symbol subverts dominant forms of consumption (and genre) to expose how her protagonists emerge as subjective, discerning consumers in her fictional Californian town. === text |
author |
Uzendoski, Andrew Gregg |
author_facet |
Uzendoski, Andrew Gregg |
author_sort |
Uzendoski, Andrew Gregg |
title |
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
title_short |
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
title_full |
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
title_fullStr |
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
title_full_unstemmed |
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba! |
title_sort |
chica(no) lit : reappropriating adorno’s washing machine in nina marie martínez’s ¡caramba! |
publishDate |
2010 |
url |
http://hdl.handle.net/2152/ETD-UT-2010-05-1476 |
work_keys_str_mv |
AT uzendoskiandrewgregg chicanolitreappropriatingadornoswashingmachineinninamariemartinezscaramba |
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1716821055350243328 |