Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!

This master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ...

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Bibliographic Details
Main Author: Uzendoski, Andrew Gregg
Format: Others
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/2152/ETD-UT-2010-05-1476
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spelling ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2010-05-14762015-09-20T16:55:57ZChica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!Uzendoski, Andrew GreggGenre theoryMass cultureConsumptionChic litChica litCultural appropriationNina Marie MartínezThis master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ methods of cultural appropriation in order to articulate an oppositional voice. In particular, Martinez’s literary intervention of the trademark symbol subverts dominant forms of consumption (and genre) to expose how her protagonists emerge as subjective, discerning consumers in her fictional Californian town.text2010-11-30T22:29:41Z2010-11-30T22:29:47Z2010-11-30T22:29:41Z2010-11-30T22:29:47Z2010-052010-11-30May 20102010-11-30T22:29:47Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2010-05-1476eng
collection NDLTD
language English
format Others
sources NDLTD
topic Genre theory
Mass culture
Consumption
Chic lit
Chica lit
Cultural appropriation
Nina Marie Martínez
spellingShingle Genre theory
Mass culture
Consumption
Chic lit
Chica lit
Cultural appropriation
Nina Marie Martínez
Uzendoski, Andrew Gregg
Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
description This master’s report presents a literary criticism of the novel ¡Caramba! by Nina Marie Martínez that attends to both genre and mass culture theory. The novel, when recognized as a multigenre text consisting of both chick lit and Chicano literature conventions, reveals how informal economies employ methods of cultural appropriation in order to articulate an oppositional voice. In particular, Martinez’s literary intervention of the trademark symbol subverts dominant forms of consumption (and genre) to expose how her protagonists emerge as subjective, discerning consumers in her fictional Californian town. === text
author Uzendoski, Andrew Gregg
author_facet Uzendoski, Andrew Gregg
author_sort Uzendoski, Andrew Gregg
title Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
title_short Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
title_full Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
title_fullStr Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
title_full_unstemmed Chica(no) lit : reappropriating Adorno’s Washing machine in Nina Marie Martínez’s ¡Caramba!
title_sort chica(no) lit : reappropriating adorno’s washing machine in nina marie martínez’s ¡caramba!
publishDate 2010
url http://hdl.handle.net/2152/ETD-UT-2010-05-1476
work_keys_str_mv AT uzendoskiandrewgregg chicanolitreappropriatingadornoswashingmachineinninamariemartinezscaramba
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