Commodification and consciousness

The United Colors of Benetton is a high-end clothing company that has been deemed as an iconic brand because of their non-traditional print advertisements. From the late 1980s to the early 1990s, the Benetton campaign used photographic images to symbolize social (and sometimes controversial) message...

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Main Author: Wallace, Sarah Melissa
Format: Others
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/2152/ETD-UT-2009-12-693
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spelling ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2009-12-6932015-09-20T16:54:57ZCommodification and consciousnessWallace, Sarah MelissaThe United Colors of BenettonMedia literacySocial messagesThe United Colors of Benetton is a high-end clothing company that has been deemed as an iconic brand because of their non-traditional print advertisements. From the late 1980s to the early 1990s, the Benetton campaign used photographic images to symbolize social (and sometimes controversial) messages pertaining to race, gender, religion, sexuality and multiculturalism. Benetton claims that their advertising campaign sought to promote diversity, worldwide. However, others believed that their true motive was to gain revenue by placing sensitive social, political cultural issues and messages into an exchange system. The varieties in opinions about Benetton’s motives are highly dependent on how consumers interpret their advertisements. This paper will not only examine the ways in which consumers encode and decode social messages in Benetton’s print advertisements, but will also attempt to understand the process of attitudinal change through a theoretical approach by using discourse analysis. Further recommendations will be given that detail the importance of how consumers can become more active in their participation of encoding and decoding messages by the use of media literacy.text2010-09-24T19:54:01Z2010-09-24T19:54:07Z2010-09-24T19:54:01Z2010-09-24T19:54:07Z2009-122010-09-24December 20092010-09-24T19:54:07Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2009-12-693eng
collection NDLTD
language English
format Others
sources NDLTD
topic The United Colors of Benetton
Media literacy
Social messages
spellingShingle The United Colors of Benetton
Media literacy
Social messages
Wallace, Sarah Melissa
Commodification and consciousness
description The United Colors of Benetton is a high-end clothing company that has been deemed as an iconic brand because of their non-traditional print advertisements. From the late 1980s to the early 1990s, the Benetton campaign used photographic images to symbolize social (and sometimes controversial) messages pertaining to race, gender, religion, sexuality and multiculturalism. Benetton claims that their advertising campaign sought to promote diversity, worldwide. However, others believed that their true motive was to gain revenue by placing sensitive social, political cultural issues and messages into an exchange system. The varieties in opinions about Benetton’s motives are highly dependent on how consumers interpret their advertisements. This paper will not only examine the ways in which consumers encode and decode social messages in Benetton’s print advertisements, but will also attempt to understand the process of attitudinal change through a theoretical approach by using discourse analysis. Further recommendations will be given that detail the importance of how consumers can become more active in their participation of encoding and decoding messages by the use of media literacy. === text
author Wallace, Sarah Melissa
author_facet Wallace, Sarah Melissa
author_sort Wallace, Sarah Melissa
title Commodification and consciousness
title_short Commodification and consciousness
title_full Commodification and consciousness
title_fullStr Commodification and consciousness
title_full_unstemmed Commodification and consciousness
title_sort commodification and consciousness
publishDate 2010
url http://hdl.handle.net/2152/ETD-UT-2009-12-693
work_keys_str_mv AT wallacesarahmelissa commodificationandconsciousness
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